Featuring a new introduction by Ken Liu, this revised edition of Ursula K. Le Guin’s first full-length collection of essays covers her background as a writer and educator, on fantasy and science fiction, on writing, and on the future of literary science fiction. “We like to think we live in daylight, but half the world is always dark; and fantasy, like poetry, speaks to the language of the night.” —Ursula K. Le Guin Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator. The book and each thematic section are brilliantly introduced and contextualized by Susan Wood, a professor at the University of British Columbia and a literary editor and feminist activist during the 1960s and ’70s. A fascinating, intimate look into the exceptional mind of Le Guin whose insights remain as relevant and resonant today as when they were first published.

This book argues that the sudden decline of old rural vernaculars – such as French patois, Italian dialects, and the Irish language – caused these languages to become the objects of powerful longings and projections that were formative of modernist writing. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages to use as private idioms of poetry; the revivalist conception of Irish as a lost, perfect language deeply affected the work of James Joyce; the disappearing dialects of northern France seemed to Marcel Proust to offer an escape from time itself. Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the origins and meaning of European literary modernism, Barry McCrea shows how the vanishing languages of the European countryside influenced metropolitan literary culture in fundamental ways.

In a powerfully written book, the author of The Savage God examines night in all its aspects. From the neon-lit brilliance of Las Vegas to the shadowy underworld patrolled by the police to a scientific sleep laboratory, Alvarez shows how "night horrors" inspired and terrified Coleridge, how dreams liberated the minds of Stevenson and the Surrealists, and how his own childhood fears provided a gateway to the secret world of the unconscious. Illustrations.

A New Translation From The French By Marion Wiesel Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. Night is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

"The story of a young man, Prince Alamayou of Abyssinia (present day Ethiopia), who is taken from his home and the Abyssinian war to the court of Queen Victoria--a world he knows nothing about. With him is Philip Layard, a young apprentice to one of the doctors on the battlefield in Abyssinia, who becomes Alamayou's guardian, only friend, and eventually, the love of his life. When Parliament accuses Alamayou of murder, the young prince is sentenced to return to Abyssinia, where he will be executed. His only hope comes from the very thing that cannot be uttered: the unexpected and forbidden love between Alamayou and Philip"--Back cover.

With the morning light, tens of thousands of people awaken andrecord their deams in a special journal. Many others meet in grassrootsdreamgroups to discuss their nighttime adventures. Still others inpsychotheraphy work with dreams to understand their deeper feelings andmotives. Never before has there been a time when the value of our dream lifehas been so widely recognized. In this rich collection of thirty original essays by the leading authoritieson dreams, readers will find many clues to decoding the language of thenight. Contributors offer insights into dreams as a universal and specialsource of knowledge whose messages can bring growth, healing, and wisdom.They also tell us how we can interpret our dreams accourding to severaldifferent traditions. Many other topics on the fronteirs of dreamwork areexplored as well, such as shared dreaming, lucid dreaming, psychicdreaming, brain research, dreams and creativity, dreams and healthproblems, and gender differences in dreams. Contributors include: Gayle Delaney on personal and professional problem solving indreams June Singer on the Jungian approach to dreamwork Montague Ulman on doing dreamwork without professionalhelp Patrcia Garfield on women's body images revealed in dreams Stanley Krippner on tribal shamans and their travels intodreamtime Earnest Hartmann on nightmares Jayne I. Gackenbach on lucid dreams Kenneth Atchity on dreams, literature, and the arts For anyone interested in this subject, Dreamtime andDreamwork is a fascinating, state-of-the-art collection.

From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.