Set in nineteenth-century New England, this exquisite novel tests a woman’s love against her husband’s utopian quest. Sophy Hedge, the artistic daughter of the town's minister, falls in love with Gideon Birdsall, a driven theology student assisting her father with a Hebrew lexicon. Sophy is drawn to Gideon's intellect, passion, and spiritual nature, while Gideon glimpses in her a free soul unbound by convention. Yet Gideon's restlessness after they wed worries Sophy, and she finds his friendship with Leander Solloway, the charismatic new schoolmaster, a cause for anxiety. As the men immerse themselves in Gideon’s mystical theories, Sophy translates her fears into secret paintings. When Sophy becomes pregnant, Gideon and Leander construct a faux Eden in a greenhouse as part of a daring experiment to discover the language of paradise—the tongue Adam spoke when he named the creatures of the earth. Sophy must decide whether to live and paint in the world her husband has made or escape to save her child and herself. Addressing the timeless issues of faith, art, and the elusive dream of perfection, Barbara Klein Moss has captured the fragility of human longing.

Michel Foucault observed that "the birth of philology attracted far less notice in the Western mind than did the birth of biology or political economy." In this penetrating exploration of the origin of the discipline, Maurice Olender shows that philology left an indelible mark on Western visions of history, and contributed directly to some of the most horrifying ideologies of the twentieth century. "A riveting book about a difficult but important subject. Olender plunges into the scientific roots of modern racial myths with verve, wit, and remarkable erudition, producing both a dense, powerful monograph in the history of philology and a fascinating essay on the roots of twentieth-century errors and horrors." –Anthony Grafton, Princeton University "The Languages of Paradise is heavenly to read. What languages did the first humans speak? Maurice Olender traces the answers of major scholars to that question from the eighteenth to the twentieth century, showing how rival claims for Hebrew and Sanskrit connect with fundamental ideas about race and culture. Rarely have the intricacies of comparative philology been made so accessible to the common reader as in Maurice Olender's fluid prose, given sparkling translation by Arthur Goldhammer." –Natalie Zemon Davis, Princeton University

“Electrifying…sparkles with Manger’s song and poetry, and is brilliantly layered with literary and folkloric references.” — Tablet “There is something joyous about Manger’s playful language.” — The Jewish Chronicle The raucously witty Yiddish classic about a Jewish Paradise afflicted by very human temptations and pains — a delightful new translation perfect for fans of Michael Chabon Witty, playful and slyly profound, this story of a young angel expelled from Paradise is the only novel by one of the great Yiddish writers, which was written just before the outbreak of World War II. As a result of a crafty trick, the expelled angel retains the memory of his previous life when he’s born as a Yiddish-fluent baby mortal on Earth. The humans around him plead for details of that other realm, but the Paradise of his mischievous stories is far from their expectations: a world of drunken angels, lewd patriarchs and the very same divisions and temptations that shape the human world. Published here in a lively new translation by Robert Adler Peckerar, The Book of Paradise is a comic masterpiece from poet-satirist Itzik Manger that irreverently blurs the boundaries between ancient and modern and sacred and profane, where the shtetl is heaven, and heaven is the shtetl.

An astonishing story of the mysteries, truths, and deceptions that follow the odyssey of Ahn Gil­mo, a young math savant, as he escapes from the most isolated country in the world and searches for the only family he has left An unidentified body is discovered in New York City, with numbers and symbols are written in blood near the corpse. Gil­mo, a North Korean national who interprets the world through numbers, formulas, and mathematical theories, is arrested on the spot. Angela, a CIA operative, is assigned to gain his trust and access his unique thought-process. The enigmatic Gil­mo used to have a quiet life back in Pyongyang. But when his father, a preeminent doctor is discovered to be a secret Christian, he is subsequently incarcerated along with Gilmo, in a political prison overseen by a harsh, cruel warden. There, Gilmo meets the spirited Yeong-ae, who becomes his only friend. When Yeong-­ae manages to escape, Gil­mo flees to track her down. He uses his peculiar gifts to navigate betrayal and the criminal underworld of east Asia—a world wholly alien to everything he's ever known. In The Boy Who Escaped Paradise, celebrated author J. M. Lee delves into a hidden world filled with vivid characters trapped by ideology, greed, and despair. Gil­mo's saga forces the reader to question the line between good and evil, truth and falsehood, captivity and freedom.

"In the beginning was the Word, and the Word was with God, and the Word was God." So opens the Gospel of John, an ancient text translated into almost every language, at once a compelling and beguiling metaphor for the Christian story of the Beginning. To further complicate matters, the words we read now are in any number of languages that would have been unknown or unrecognizable at the time of their composition. The gospel may have been originally dictated or written in Aramaic, but our only written source for the story is in Greek. Today, as your average American reader of the New Testament picks up his or her Bible off the shelf, the phrase as it appears has been translated from various linguistic intermediaries before its current manifestation in modern English. How to understand these words then, when so many other translators, languages, and cultures have exercised some level of influence on them? Christian tradition is not unique in facing this problem. All religions--if they have global aspirations--have to change in order to spread their influence, and often language has been the most powerful agent thereof. Passwords to Paradise explores the effects that language difference and language conversion have wrought on the world's great faiths, spanning more than two thousand years. It is an original and intriguing perspective on the history of religion by a master linguistic historian.

The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times