“A delicate, layered exploration of family, trauma, and memory . . . An intriguing introduction to a significant voice in contemporary Japanese fiction.” —Kirkus Reviews Two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up years during her childhood, she lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept her family’s new station in life. When Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel where she spent time as a child, she decides to take her sick husband, despite the cost. But the overnight visit triggers hard but ultimately redemptive memories relating to the complicated history of her family. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Magical.” —The Guardian, Most Anticipated Fiction of 2021 “An ethereal novel combining two tales exploring memory, love, and loss.” —Vogue (UK) “Kashimada’s writing is exceptional.” —The Spectator “While Kashimada’s stories, like Murakami’s, resist easy interpretation, the former revel in the beauty of experience, whether sorrowful or joyous, affirming life in all its strangeness, horror and mystery.” —The Times Literary Supplement (UK) “Only Kashimada can create this kind of world.” —Yoko Ogawa, author of The Memory Police

From USA Today bestselling author Robert Swartwood comes a post-apocalyptic thriller like you've never seen before. In a dystopian future where the animated dead reign, the few remaining living are feared and pursued. Conrad is a Hunter. He's one of the best. But when he hesitates one night in killing a living child, he soon finds himself in a desperate fight to save his son — and the entire world. Praise for LAND OF THE DEAD: “One of the smartest, most exciting zombie novels in many years. I absolutely loved it.” —Brian Keene, bestselling author of The Rising “Land of the Dead is one of the most original and gripping zombie novels I have ever read, offering a glimpse into the life of a zombie in a world turned backwards, where zombies live and humans are feared. Highly recommended!” —Jeremy Robinson, New York Times bestselling author of Nemesis “Land of the Dead is simply brilliant, and its telling a superb achievement. Robert Swartwood has given us a wonderful twist, not only on the zombie novel, but on the dystopian tale as well. It's like Brave New World meets Logan's Run, but with a bite all its own. Strongly recommended!” —Joe McKinney, author of Dead City “Robert Swartwood gives the word ‘zombie’ a new meaning.” —Swedish Zombie “A definite page turner with lots of action, tension and suspense.” —buyzombie.com

With the Indian Removal Act of 1830, the Choctaw people began their journey over the Trail of Tears from their homelands in Mississippi to the new lands of the Choctaw Nation. Suffering a death rate of nearly 20 percent due to exposure, disease, mismanagement, and fraud, they limped into Indian Territory, or, as they knew it, the Land of the Dead (the route taken by the souls of Choctaw people after death on their way to the Choctaw afterlife). Their first few years in the new nation affirmed their name for the land, as hundreds more died from whooping cough, floods, starvation, cholera, and smallpox. Living in the Land of the Dead depicts the story of Choctaw survival, and the evolution of the Choctaw people in their new environment. Culturally, over time, their adaptation was one of homesteads and agriculture, eventually making them self-sufficient in the rich new lands of Indian Territory. Along the Red River and other major waterways several Choctaw families of mixed heritage built plantations, and imported large crews of slave labor to work cotton fields. They developed a sub-economy based on interaction with the world market. However, the vast majority of Choctaws continued with their traditional subsistence economy that was easily adapted to their new environment. The immigrant Choctaws did not, however, move into land that was vacant. The U.S. government, through many questionable and some outright corrupt extralegal maneuvers, chose to believe it had gained title through negotiations with some of the peoples whose homelands and hunting grounds formed Indian Territory. Many of these indigenous peoples reacted furiously to the incursion of the Choctaws onto their rightful lands. They threatened and attacked the Choctaws and other immigrant Indian Nations for years. Intruding on others’ rightful homelands, the farming-based Choctaws, through occupation and economics, disrupted the traditional hunting economy practiced by the Southern Plains Indians, and contributed to the demise of the Plains ways of life.

A graphic novel adaptation of George A. Romero's motion picture screenplay for "Land of the Dead," in which zombies take over the world and mercenaries are called in to defend the last remaining humans, who now reside in walled skyscrapers, from the walking dead.

A Tracker for the dead, named Gatchett, steps into the Graveyard where all souls arrive after their untimely deaths. In this case, a ghost sends Gatchett to avenge not only her own murder, but her child’s, as well. The problem is the fact that the murderer is Eero—Gatchett’s vampire brother. In this adventure, our hero must locate his brother, sifting through a mist of terror.

SHE WOULD DARE ANYTHING TO SAVE THE WORLD FROM HIS RULE. EVEN HIS BED. He ascended from the darkness years ago-Azrael the Eternal, Azrael the Undying, Azrael Who Is Death-bringing with him the black rains, the fires, the souring of the sky, and the Eaters. Now he rules in the walled city of Haven with his favored Children and his dead court, while all that is left of the living struggles to survive in the ruins of a world that used to be their own. But even as extinction looms, humanity will never surrender to their monstrous conqueror. For Lan, this brutal life has been the only one she's ever known, but she still believes it can change. If the war can never truly end until the Eaters are ended, she will go to Haven, to Azrael himself, and demand he end them. To her surprise, she does not immediately die the hero's death she expected. Instead, Azrael offers her a chance to convince him, and all she has to do is submit herself to the chill embrace of the lord of the Land of the Beautiful Dead. From the author of The Scholomance and The Last Hour of Gann comes a new vision of erotic horror! This book contains explicit sex and gore and is intended for mature readers only.

The Dead Have No Love for the Living In the Land of Dead Horses tells the story of Texas Ranger Jewel T. Lightfoot’s pursuit of and confrontation with a resurrected horror from another age—a manifestation of the Mayan god of darkness, unearthed from its subterranean crypt in the wastelands of the Chihuahuan Desert and set loose on an unsuspecting world. Lightfoot, a hard-drinking Texas Ranger, is aided by an aging silver miner named Ernesto Zavala and his grandson Antonio, a rangy firebrand who longs to free his people from the rule of Porfirio Diaz’s corrupt Mexican government. Together, these unlikely heroes face off against a sinister German academic, a trio of religious fanatics who wants to restore the glory of the Mayan empire, and a horror from the depths of history that grows stronger with each setting sun. ​Join Jewel Lightfoot in what Kirkus Reviews calls "a paranormal whodunit that offers a gripping battle between good and evil." But be careful: Not everyone who rides out of Austin in the fall of 1908 is going to make it back alive.