The Lady of Linshui—the goddess of women, childbirth, and childhood—is still venerated in south China, Taiwan, and Southeast Asia. Her story evolved from the life of Chen Jinggu in the eighth century and blossomed in the Ming dynasty (1368–1644) into vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. The full-length novel The Lady of Linshui Pacifies Demons narrates Chen Jinggu’s lifelong struggle with and eventual triumph over her spirit double and rival, the White Snake demon. Among accounts of goddesses in late imperial China, this work is unique in its focus on the physical aspects of womanhood, especially the dangers of childbirth, and in its dramatization of the contradictory nature of Chinese divinities. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women, and the structure of families and local society.

"The Lady of Linshui Pacifies Demons is a seventeenth-century novelistic account of the founding myth of the cult of the Lady of Linshui, the goddess of women, childbirth, and childhood, who is still venerated in Fujian, Taiwan, and other places in Southeast Asia. The goddess's story evolved from the life of Chen Jinggu in Ming dynasty Hunan and has taken the form of vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. This "novel" was translated in consultation with Brigitte Baptandier, whose widely praised anthropological study of the goddess's popularity-The Lady of Linshui: A Chinese Female Cult-was published originally in French and later in English translation by Stanford University Press in 2008. Among accounts of goddesses in late imperial China, this work is unique in its focus on the physical aspects of womanhood, especially the dangers of childbirth. It is also unique in dramatizing the contradictory nature of divinities in China through narrating the parallel lives of Chen Jinggu and her spirit double/rival, the White Snake demon who is born as her twin, battles with her over the body of her husband, kills her through devouring her fetus, and finally becomes her spirit mount. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women in the period, and, more broadly, the structure of families and local society"--

This book is a detailed examination of a Chinese women's cult that confronts the dangers of pregnancy, childbirth, and childhood diseases.

The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditional power structures and traditional mores of Chinese society. The authors draw on a variety of disciplines and methodologies to throw light on various aspects of the Chinese supernatural. The gallery of gods and goddesses surveyed demonstrates that these deities did not reflect China's socio-political order but rather expressed and negotiated tensions within it. In addition to reflecting the existing order, Chinese gods shaped it, transformed it, and compensated for it, and, as such, their work offers fresh perspectives on the relations between divinity and society in China.

The Matsu archipelago between China and Taiwan, for long an isolated outpost off southeast China, was suddenly transformed into a military frontline in 1949 by the Cold War and the Communist-Nationalist conflict. The army occupied the islands, commencing more than 40 long years of military rule. With the lifting of martial law in 1992, the people were confronted with the question of how to move forward. This in-depth ethnography and social history of the islands focuses on how individual citizens redefined themselves and reimagined their society. Drawing on long-term fieldwork, Wei-Ping Lin shows how islanders used both traditional and new media to cope with the conflicts and trauma of harsh military rule. She discusses the formation of new social imaginaries through the appearance of 'imagining subjects', interrogating their subjectification processes and varied uses of mediating technologies as they seek to answer existential questions. This title is Open Access.

Dali is a small region on a high plateau in Southeast Asia. Its main deity, Baijie, has assumed several gendered forms throughout the area's history: Buddhist goddess, the mother of Dali's founder, a widowed martyr, and a village divinity. What accounts for so many different incarnations of a local deity? Goddess on the Frontier argues that Dali's encounters with forces beyond region and nation have influenced the goddess's transformations. Dali sits at the cultural crossroads of Southeast Asia, India, and Tibet; it has been claimed by different countries but is currently part of Yunnan Province in Southwest China. Megan Bryson incorporates historical-textual studies, art history, and ethnography in her book to argue that Baijie provided a regional identity that enabled Dali to position itself geopolitically and historically. In doing so, Bryson provides a case study of how people craft local identities out of disparate cultural elements and how these local identities transform over time in relation to larger historical changes—including the increasing presence of the Chinese state.

Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize ÒVincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The ReaperÕs Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.ÓÑIra Berlin From the author of TackyÕs Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The ReaperÕs Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in AmericaÑand a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in JamaicaÑbelonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, Òmortuary politicsÓ played a consequential role in determining the course of history. Insightful and powerfully affecting, The ReaperÕs Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.