A Fidel Castro-like octogenarian Cuban exile obsessively seeks revenge against the dictator.

"Fascinating...A richly detailed portrait." -Michiko Kakutani, The New York Times Known in his day as the King of Sugar, Julio Lobo was the wealthiest man in prerevolutionary Cuba. He had a life fit for Hollywood: he barely survived both a gangland shooting and a firing squad, and courted movie stars such as Joan Fontaine and Bette Davis. Only when he declined Che Guevara's personal offer to become Minister of Sugar in the Communist regime did Lobo's decades-long reign in Cuba come to a dramatic end. Drawing on stories from the author's own family history and other tales of the island's lost haute bourgeoisie, The Sugar King of Havana is a rare portrait of Cuba's glittering past—and a hopeful window into its future.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

Havana, New Year’s Eve 1957, a terrorist bomb rips through the Tropicana nightclub. King Bongo, a rogue Cuban-American, tortured by a mysterious past and possessed of a mythic musical talent, goes on the hunt for the culprits, and for his sister, Cuba’s most exotic showgirl, who disappeared in the explosion. Navigating Havana’s maze of Colonial backstreets, red-light districts, swank country clubs, and opulent casinos, Bongo encounters an outrageous cast of characters—American hit men, decadent movie stars, prophetic shoeshine boys, and a beautiful American socialite. At the center of the mystery is a sinister secret police operative with whom Bongo is destined to have a lethal showdown.

The legend says that two women were claiming to be the mother of the same child. They were taken to King Solomon, a king known by his wisdom, so that he could resolve the situation. The King proposed to cut the child in half so that each woman had a piece of him. The legend says that in that manner the King discovered who the real mother was and he gave the child to her. In 1962, a greedy Cuban leader played the role of King Solomon's impostor mother. When facing the alternative of losing the power he had just gained or sacrificing the people to whom he had promised to defend, he proposed to a foreign government the destruction of not only his enemies but of his own people. The following historical documents will testify and enlighten those who consider themselves inheritors of King Solomon's wisdom.

Lolcats. Salsa dancing. Unrequited love. Tom Crosshill's smart and witty debut teen novel treads a colorful coming-of-age journey from New York City to Havana that will appeal to fans of books by Matthew Quick and Junot Díaz. When Rick Gutiérrez—known as "That Cat Guy" at school—gets dumped on his sixteenth birthday for uploading cat videos from his bedroom instead of experiencing the real world, he realizes it's time for a change. So Rick joins a salsa class . . . because of a girl, of course. Ana Cabrera is smart, friendly, and smooth on the dance floor. He might be half Cuban, but Rick dances like a drunk hippo. Desperate to impress Ana, he invites her to spend the summer in Havana. The official reason: learning to dance. The hidden agenda: romance under the palm trees. Except Cuba isn't all sun, salsa, and music. As Rick and Ana meet his family and investigate the reason why his mother left Cuba decades ago, they learn that politics isn't just something that happens to other people. And when they find romance, it's got sharp edges.