This study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.

This study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.

Pasha is a slave, whoring for travelers at the most treacherous bar on Warlan. The day Pasha spots the dangerous pirate in the bar, he knows he mustn't let the stranger slip away, no matter what he must do to draw his attention. Captain Griffin Hawke spent the better part of a decade searching for his lost king, only to find Helios Dayspring crouched between his legs, swathed in the robes and shackles of a whore. Though he is appalled by the downfall of his king, Grif falls for the sensual creature who has taken his place. After a brutal invasion stripped his people of nearly everything, they desperately need Helios to lead them. But returning him to throne means smuggling him off the planet, disabling the chip that keeps him submissive and forgetful. They will face old enemies, traitors, and greedy opportunists who'd like to strip their new planet of its wealth. It might mean Grif losing his lover... and they've both lost too much already.

After 52 long years, the city of Cleveland finally has a new championship team, thanks to LeBron James and his Cavaliers. Scott Raab—Cleveland super-fan—has suffered for every one of those five decades of drought. In the tradition of Frederick Exley’s cult-classic sports book A Fan’s Notes, The Whore of Akron is Raab’s hilarious and unhinged plea for deliverance from all those years of pain. Traveling from Cleveland to Miami and back again, Raab heads out on an obsessive quest to uncover the soul of one of today’s greatest basketball players: LeBron James, the man who finally brought Cleveland out of sporting exile.

After the restoration of the English monarchy in 1660, Protestants worried that King Charles II might favour religious freedom for Roman Catholics, and many suspected that the king was unduly influenced by his Catholic mistresses. Nell Gwyn, actress and royal mistress, stood apart by virtue of her Protestant loyalty. In 1681, Gwyn, her carriage surrounded by an angry anti-Catholic mob, famously declared 'I am the protestant whore.' Her self-branding invites an investigation into the alignment between sex and politics during this period, and in this study, Alison Conway relates courtesan narrative to cultural and religious anxieties. In new readings of canonical works by Aphra Behn, Daniel Defoe, Henry Fielding, and Samuel Richardson, Conway argues that authors engaged the same questions about identity, nation, authority, literature, and politics as those pursued by Restoration polemicists. Her study reveals the recurring connection between sexual impropriety and religious heterodoxy in Restoration thought, and Nell Gwyn, writ large as the nation's Protestant Whore, is shown to be a significant figure of sexual, political, and religious controversy.

Bradford Mudge's book looks at the origins of literary pornography in English, presenting a comprehensive overview of the complex issues surrounding pornography in the eighteenth century, as it appears in fiction, poetry, criticism, medical manuals, and illustrations. Mudge frames these battles in the context of contemporary feminine argument, while closely reading the moment in which the lines of battle were first drawn.