On the afternoon when Angel Allegria arrives at the Poloverdos’ farmhouse, he kills the farmer and his wife. But he spares their child, Paolo–a young boy who will claim this as the day on which he was born. Together the killer and the boy begin a new life on this remote and rugged stretch of land in Chile. Then Luis Secunda, a well-to-do and educated fellow from the city descends upon them. Paolo is caught in the paternal rivalry between the two men. But life resumes its course . . . until circumstances force the three to leave the farm. In doing so, Angel and Luis confront their pasts as well as their inevitable destinies–destinies that profoundly shape Paolo’s own future.

A BLACK FATHER. A WHITE FATHER. TWO MURDERED SONS. A QUEST FOR VENGEANCE. *SUNDAY TIMES THRILLER OF THE MONTH* FINANCIAL TIMES CRIME BOOKS OF THE YEAR* 'Superb...Cuts right to the heart of the most important questions of our times.' MICHAEL CONNELLY 'The very definition of a white-knuckle ride' IAN RANKIN 'As close to a thriller masterpiece as it is possible to get' DAILY MAIL Ike Randolph left jail fifteen years ago, with not so much as a speeding ticket since. But a Black man with cops at the door knows to be afraid. Ike is devastated to learn his son Isiah has been murdered, along with Isiah's white husband, Derek. Though he never fully accepted his son, Ike is broken by his death. Derek's father Buddy Lee was as ashamed of Derek being gay as Derek was of his father's criminal past. But Buddy Lee - with seedy contacts deep in the underworld - needs to know who killed his only child. Desperate to do better by them in death than they did in life, two hardened ex-cons must confront their own prejudices about their sons - and each other - as they rain down vengeance upon those who hurt their boys. A provocative revenge thriller and an achingly tender story of redemption, this novel is a ferocious portrait of grief; for those loved and lost, and for mistakes than can never truly be undone. 'Cosby's talents for pungent dialogue and Chandler-esque phrase-making were praised in his previous novel,.. and they're evident again in this pulsating follow-up' Sunday Times THRILLER OF THE MONTH 'A stellar performance' Sunday Times Crime Club 'Cosby's prose barrels along like a pick-up still angry it's not a Ferrari, and his phrase-making is up there with the great artists of noir' The Times BEST THRILLERS OF THE MONTH 'It's a rare trick to combine violence with social commentary, but Cosby pulls it off' Daily Mail 'Raw, powerful and pacey, Razorblade Tears more than fulfils the promise of Cosby's superb debut' The Guardian 'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list.' STEVE CAVANAGH 'Utterly brilliant....Beautiful, violent, operatic, relevant, poignant, gripping & important. This book is a mirror. It shows us our world as it is. Masterful' WILL DEAN Praise for S. A. Cosby: 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM 'S. A. Cosby is a welcome, refreshing new voice in crime literature.' DENNIS LEHANE

Tom Rose had waited eight long years to get to this point when he is about to be promoted to become a partner at Stern & Hobbs. At this critical juncture of his career, he is urged to represent Hope Kane, a pro bono client who is awaiting trial for the murder of her husband and daughter. Hope had been the topic of headline news just a year before, not only for her horrific crime, but also because she had refused to utter a single word from the moment of her arrest. Her identity is a complete mystery, as there are no records of her existence. The evidence against Hope is damning, and no defense lawyer is willing to take on a highly publicized case that is sure to end in a conviction. Tom has no intention of accepting this assignment, but everything changes when he meets her. Something about her drives him to want to find the truth about her role in the murders. Tom's investigation opens the door to an unimaginable world of deception and death. He has to risk his own life and the safety of others on his team to continue on his quest. The investigation and the trial where the true Hope Kane story will be told will determine the fate of many lives and define the reasons for his own existence.

Despite all that was revealed about Ian Ramsey's crimes during the Hope Kane criminal trial, Ramsey is still walking the streets as a free man. Prosecutors are hesitant to indict a powerful man like Ian Ramsey, unless they are presented with irrefutable evidence that will guarantee a conviction. Until Ramsey is tried and convicted of his crimes, Hope and her friends, Edward Miller and Annie Sharpe, must live each day in fear of Ramsey taking revenge against them for derailing his scheme to frame Hope for the murder of her husband. Even Ramsey's most trusted henchman, Dom McGee, has to run for his life for refusing to shield Ramsey from federal prosecutors by taking the rap for Ramsey's crimes. His devotion to Ian Ramsey isn't enough to spend the rest of his life in prison. In this sequel to A Killer's Tears (book 2 of 3), Edward forms a new law firm with a surprising new partner to protect his friends from Ramsey's attacks by resuscitating a prior lawsuit he had commenced against Ramsey for his crimes. He and his partner join forces with a mysterious woman, Jackie Sire, to dig into Ramsey's world of crimes, only to uncover an unforeseen conspiracy filled with death and deception, and an unimaginably powerful man known as Odin who will do whatever is necessary to protect Ramsey. Their winner-take-all fight against Ramsey and Odin unfolds in a federal courthouse, where the jury's verdict unwittingly will determine the life and death of the litigants.

From his very first poem in 1990, D. Alexander Holiday has engaged in an intense form of poetry that might be called Reality Writing. He has dealt with issues both personal (the abandonment and loss of never knowing his own parents), and universal (racism, genocide, imperialism). Now he returns with more poignant poems in which he continues a tradition he began long ago: putting people on trial in the public arena. In this case, the defendants include those who have united against him to prevent him from gaining custody of the granddaughter he was never informed he had – until the death of his own daughter, the little girl’s mother. Together with assorted letters and documents, this body of work tells the often horrifying story of Mr. Holiday’s run-ins with the human race: with the abusive and sadistic foster parents with whom he spent his first 18 years of life, having been abandoned by his mother and father (“Somehow Mama Knew”); with his daughter’s mother (“Ashes to Ashes,” “All the Killers Gathered”); and with co-workers (“Please Tell Massuh,” “How I Am Perceived”). But they also offer a few moments of gentle respite in the form of salutes to comedians whose work got him through the worst of times (“Stop Laughing at Me” and “Final Curtain”). As you read these poems, you will gradually learn of the insidious pattern of betrayal and deceit to which Mr. Holiday has been subjected to since his daughter’s mother packed up their child and moved her back down to New York City when she was still an infant. You will learn why he had no contact with his daughter, whom he loved deeply, for over 10 years – until he learned of her death in a most bizarre manner. And as you read of his conflicts with the human race - the years spent in abusive foster homes, repeated betrayals at the hands of family members, acquaintances, and others - you will marvel at the amazing story of a man who faced utter abandonment and turned to reading and writing instead of drugs, alcohol, or even more destructive forms of catharsis and escape which he might have (understandably) chosen.

The Killers is a tale of gang violence, revenge, kidnapping, racial and ethnic conflict, international intrigue, and working-class triumph. Based on the real-life events of a Philadelphia race riot, this long-out-of-print sensational novella showcases the political and literary interests of its author, bestselling novelist George Lippard.