How can a black people, who do not even profess to Islam, claim to have originated from Egypt, which is such an Arabic and Islamic geographical setting? But the Kalenjiin people of Kenya have held on fast to a tradition that their ancestors in antiquity were part of ancient Pharaonic Egypt, which they variously call Tto and Misiri. As unlikely as it may sound, the persistence in keeping this oral tradition alive does not seem to be dying with time and distance from the claimed place of origin. The Misiri Legend Explored: A Linguistic Inquiry into the Kalenjiin People's Oral Tradition of Ancient Egyptian Originestablishes the Kalenjin oral tradition of Misirian origin on the basis of linguistic evidence - a genuine tool which Egyptology scholars and researchers need to have relied on much more to bring greater and more final results to their investigations. Students of ancient Egypt willing to accept that there is an irrational prejudice against the concept of ancient black African ingenuity will upgrade their stock of knowledge regarding ancient Egypt with the numerous discoveries laid out here. They will discover a powerful new tool for their trade in the form of the African languages and cultures that now lie South of the Sahara.

The Marakwet of Kenya is a study of a sub-group of the greater Kalenjin community, the majority of whom live in the Rift Valley Province of Kenya. It is an excellent introduction to the study of an African community in transition, both from its belief systems and in its broad structure and organisation. This work is invaluable to any student of comparative studies; whether in sociology, anthropology, economics or history.

These select essays, brought together from the 2008 Wheaton College Theology Conference by editors Daniel J. Treier and David Lauber, show both the substance and the importance of the doctrine of the Trinity for our worship, our reading of Scripture and the mission of the church.

Studies on the aesthetic representations of atrocity the world over have taken different discursive dimensions from history, sociology, political to human rights. These perspectives are usually geared towards understanding the manifestations, extent, political and economic implications of atrocities. In all these cases, representation has been the singular concern. Cultural Archives of Atrocity: Essays on the Protest Tradition in Kenyan Literature, Culture and Society brings together generic ways of interrogating artistic representations of atrocity in Kenya. Couched on interdisciplinary, multidisciplinary and cross-disciplinary approaches, essays in this volume investigate representations of Atrocity in Kenyan Literature, Film, Popular Music and other mediated cultural art forms. Contributors to this volume not only bring on board multiple and competing perspectives on studying atrocity and how they are archived but provide refreshing and valuable insights in examining the artistic and cultural interpellations of atrocity within the socio-political imaginaries of the Kenyan nation. This volume forms part of the growing critical resources for scholars undertaking studies on atrocity within the fields of ethnic studies, cultural studies, postcolonial studies, peace and conflict, criminology, psychology, political economy and history in Kenya.

In 2007 a disputed election in Kenya erupted into a two-month political crisis that led to the deaths of more than a thousand people and the displacement of almost seven hundred thousand. Much of the violence fell along ethnic lines, the principal perpetrators of which were the Kalenjin, who lashed out at other communities in the Rift Valley. What makes this episode remarkable compared to many other instances of ethnic violence is that the Kalenjin community is a recent construct: the group has only existed since the mid-twentieth century. Drawing on rich archival research and vivid oral testimony, I Say to You is a timely analysis of the creation, development, political relevance, and popular appeal of the Kalenjin identity as well as its violent potential. Uncovering the Kalenjin’s roots, Gabrielle Lynch examines the ways in which ethnic groups are socially constructed and renegotiated over time. She demonstrates how historical narratives of collective achievement, migration, injustice, and persecution constantly evolve. As a consequence, ethnic identities help politicians mobilize support and help ordinary people lay claim to space, power, and wealth. This kind of ethnic politics, Lynch reveals, encourages a sense of ethnic difference and competition, which can spiral into violent confrontation and retribution.