This work places the Syriac New Testament in the Antwerp Polyglot within a new appreciation of sixteenth century Catholic Syriac and Oriental scholarship. The Spanish antecedents of the Polyglot and the role of Montano in its production are evaluated before the focus is turned upon the Northern Scholars who prepared the Syriac edition. Their motivation is shown, particularly in the case of Guillaume Postel, to derive from both Christian kabbalah and an insistent eschatological timetable. The principles of Christian kabbalah found in the Polyglot are then shown to be characteristic also of Guy Lefevre de la Boderie's 1584 Paris edition of the Syriac New Testament dedicated to Henri III. This work completes the account of sixteenth century Syriac bibles begun in the companion volume Orientalism, Aramaic and Kabbalah in the Catholic Reformation which also appears with Brill.

This work exposes the eschatological timetable which propted the petition for the Antwerp Polyglot and the Christian kabbalistic motivation of the scholars who worked on the text. This tradition is then traced to the 1584 Paris edition of the Syriac New Testament.

Focusing upon the extraordinary circumstances of the production of the editio princeps of the Syriac New Testament in 1555 and establishing a reliable history of that edition, this book offers a new account of the origin of Syriac studies in Europe and a fresh evaluation of Catholic Orientalism in the sixteenth century. The reception of Syriac into the West is shown to have been characterised, under the influence of Egidio da Viterbo and Postel, by a Christian Kabbalistic world-view which also determined the reception of other Oriental languages. The companion volume The Kabbalistic Scholars of the Antwerp Polyglot Bible exhibits the continuing influence of Christian Kabbalism on later editions.

Drawing on a detailed and sustained account of Christian reception of the Hebrew divine name until the Seventeenth Century this book illustrates its vitality in several periods as a stimulus to both orthodox and heterodox theologies and imaginative structures

Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.

The chapters in this volume share an aim to historicize the role of the translator as a cultural and political agent in the early modern West.

This volume charts the Bible's progress from the end of the Middle Ages to the Enlightenment. During this period, for the first time since antiquity, the Latin Church focused on recovering and re-establishing the text of Scripture in its original languages. It considered the theological challenges of treating Scripture as another ancient text edited with the tools of philology. This crucial period also saw the creation of many definitive translations of the Bible into modern European vernaculars. Although previous translations exist, these early modern translators, often under the influence of the Protestant Reformation, distinguished themselves in their efforts to communicate the nuances of the original texts and to address contemporary doctrinal controversies. In the Renaissance's rich explosion of ideas, Scripture played a ubiquitous role, influencing culture through its presence in philosophy, literature, and the arts. This history examines the Bible's impact in Europe and its increasing prominence around the globe.