A stunning debut novel and an impressive feat of storytelling that pulls together mythology, magic, and ancient legend in the gripping story of a mother’s struggle to save her only daughter Nadine is a jinn tasked with one job: telling the stories of the dead. She rises every morning to gather pomegranate seeds—the souls of the dead—that have fallen during the night. With her daughter Layala at her side, she eats the seeds and tells their stories. Only then can the departed pass through the final gate of death. But when the seeds stop falling, Nadine knows something is terribly wrong. All her worst fears are confirmed when she is visited by Kamuna, Death herself and ruler of the underworld, who reveals her desire for someone to replace her: it is Layala she wants. Nadine will do whatever it takes to keep her daughter safe, but Kamuna has little patience and a ruthless drive to get what she has come for. Layala’s fate, meanwhile, hangs in the balance. Rooted in Middle Eastern mythology, Rania Hanna deftly weaves subtle, yet breathtaking, magic through this vivid and compelling story that has at its heart the universal human desire to, somehow, outmaneuver death.

A stunning debut novel and an impressive feat of storytelling that pulls together mythology, magic, and ancient legend in the gripping story of a mother’s struggle to save her only daughter Nadine is a jinn tasked with one job: telling the stories of the dead. She rises every morning to gather pomegranate seeds—the souls of the dead—that have fallen during the night. With her daughter Layala at her side, she eats the seeds and tells their stories. Only then can the departed pass through the final gate of death. But when the seeds stop falling, Nadine knows something is terribly wrong. All her worst fears are confirmed when she is visited by Kamuna, Death herself and ruler of the underworld, who reveals her desire for someone to replace her: it is Layala she wants. Nadine will do whatever it takes to keep her daughter safe, but Kamuna has little patience and a ruthless drive to get what she has come for. Layala’s fate, meanwhile, hangs in the balance. Rooted in Middle Eastern mythology, Rania Hanna deftly weaves subtle, yet breathtaking, magic through this vivid and compelling story that has at its heart the universal human desire to, somehow, outmaneuver death.

Over the centuries, Jewish and Muslim writers transformed the biblical Queen of Sheba from a clever, politically astute sovereign to a demonic force threatening the boundaries of gender. In this book, Jacob Lassner shows how successive retellings of the biblical story reveal anxieties about gender and illuminate the processes of cultural transmission. The Bible presents the Queen of Sheba's encounter with King Solomon as a diplomatic mission: the queen comes "to test him with hard questions," all of which he answers to her satisfaction; she then praises him and, after an exchange of gifts, returns to her own land. By the Middle Ages, Lassner demonstrates, the focus of the queen's visit had shifted from international to sexual politics. The queen was now portrayed as acting in open defiance of nature's equilibrium and God's design. In these retellings, the authors humbled the queen and thereby restored the world to its proper condition. Lassner also examines the Islamization of Jewish themes, using the dramatic accounts of Solomon and his female antagonist as a test case of how Jewish lore penetrated the literary imagination of Muslims. Demonizing the Queen of Sheba thus addresses not only specialists in Jewish and Islamic studies, but also those concerned with issues of cultural transmission and the role of gender in history.

"An epic filled with emotion and rich with atmosphere" (Historical Novel Society) from the author of The Other Eden. Khalidah faces an arranged marriage at the behest of her father, a Bedouin Clan chief. But when a mysterious stranger named Sulayman reveals the machinations behind her pending union, she suddenly finds herself a pawn in a deadly plot involving her own feuding tribe and the powerful Templar Knights. Faced with certain death, Khalidah runs away with Sulayman, a man she barely knows. Their journey, and the desire that grows between them, will thrust Khalidah toward unimaginable adventure, and the echoes of a past that somehow connect her to the Jinn—the mysterious Afghan warriors who may hold the key to the coming battle for the Holy Land.

The first single volume collection of classic Hindi folktales by translators William Crooke and Pandit Ram Gharib Chaube. In 1891, at a time when the study of India was primarily based on ancient texts, coins, and material remains, William Crooke dared to focus on living India—its everyday culture, age-old customs, and fictional narratives. With Pandit Ram Gharib Chaube, he recorded and published, over a period of six years, a remarkable collection of folktales from northern India. The tales reflect the tapestry of social and personal lives of this region, the epicenter of a revolt against British rule in 1857. Although many of the tales were published in British ethnographic journals, a number of the manuscripts, in Chaube's handwriting, were unpublished; others existed only as old microfilm in a New Delhi library. Never before have they appeared as a single volume or been available in any one library or archive.

This book is a unique study of Shi’a Islam as it lives in the minds and hearts of people in a Southwest Iranian village. The central segment of the text is presented in the form of edited interviews conducted in the course of anthropological fieldwork both before and after the Iranian revolution. The individuals, representing all major socio-economic and educational backgrounds, speak in their own words. Loeffler discovers that what people make of their religion is characterized by not only an unexpected diversity, but by an astounding sophistication. His format of presenting these views gives justice to the highly individualized character of religious worldviews. This feature has gone unrecognized in Islamic studies because the preferred methodology of working with composite and generalized accounts has made it impossible to detect. In his conclusion, Loeffler formulates a new theory of religion based on the emerging paradigm of evolutionary epistemology and the dialectic between the individual and the religious system. This area of Islamic studies remains untouched by scholars preoccupied with historical texts and orthodox doctrines of established religious authorities.

This book is an exploration of the part played by Islamic prophetic legends, Ancient Egyptian myths and stories, and the Middle Eastern Alexander Romance in an Egyptian popular epic.