Never before has there been a single-volume anthology of modern Irish poetry so significant and groundbreaking as An Anthology of Modern Irish Poetry. Collected here is a comprehensive representation of Irish poetic achievement in the twentieth and twenty-first centuries, from poets such as Austin Clarke and Samuel Beckett who were writing while Yeats and Joyce were still living; to those who came of age in the turbulent âe(tm)60s as sectarian violence escalated, including Seamus Heaney and Michael Longley; to a new generation of Irish writers, represented by such diverse, interesting voices as David Wheatley (born 1970) and Sinéad Morrissey (born 1972).Scholar and editor Wes Davis has chosen work by more than fifty leading modern and contemporary Irish poets. Each poet is represented by a generous number of poems (there are nearly 800 poems in the anthology). The editorâe(tm)s selection includes work by world-renowned poets, including a couple of Nobel Prize winners, as well as work by poets whose careers may be less well known to the general public; by poets writing in English; and by several working in the Irish language (Gaelic selections appear in translation). Accompanying the selections are a general introduction that provides a historical overview, informative short essays on each poet, and helpful notesâe"all prepared by the editor.

The clash between Britain and Ireland--and between Catholics and Protestants within Ireland--is among the oldest and most enduring nationalist, ethnic, and religious conflicts in the modern world, rooted in the colonization of Ireland by English and Scottish Protestants in the sixteenth and seventeenth centuries. Through fifty-six original sources, many of which have never been reprinted, this volume traces the origins and development of the conflict during the years of the legislative union between Britain and Ireland--years shaped by the rise of, and British and Irish Unionist responses to, Irish nationalism. Dworkin’s Introduction provides both a history of the conflict and a discussion of its causes; headnotes and footnotes set each selection in historical, political, and cultural context, and identify those terms and names that may be unfamiliar to modern readers. A map, a glossary, a chronology of events, and a select bibliography are included, as are an index and several contemporary illustrations.

This anthology spans 150 years of modern Irish culture, from the dawning of a powerful nationalist consciousness inspired by Wolfe Tone and Daniel O'Connell to the waning of the so-called Literary Revival and the death of W. B. Yeats. The struggle for political independence found expression in songs and stories, poems and plays, as well as in essays, speeches, and memoirs, brought together in a unique literary history.

An instant classic, The Long Gaze Back, edited by Sinéad Gleeson, is an exhilarating anthology of thirty short stories by some of the most gifted women writers this island has ever produced. Featuring: Niamh Boyce, Elizabeth Bowen, Maeve Brennan, Mary Costello, June Caldwell, Lucy Caldwell, Evelyn Conlon, Anne Devlin, Maria Edgeworth, Anne Enright, Christine Dwyer Hickey, Norah Hoult, Mary Lavin, Eimear McBride, Molly McCloskey, Bernie McGill, Lisa McInerney, Belinda McKeon, Siobhán Mannion, Lia Mills, Nuala Ní Chonchúir, Éilís Ní Dhuibhne, Kate O'Brien, Roisín O'Donnell, E.M. Reapy, Charlotte Riddell, Eimear Ryan, Anakana Schofield, Somerville & Ross, Susan Stairs. Taken together, the collected works of these writers reveal an enrapturing, unnerving, and piercingly beautiful mosaic of a lively literary landscape. Spanning four centuries, The Long Gaze Back features 8 rare stories from deceased luminaries and forerunners, and 22 new stories by some of the most talented Irish women writers working today. The anthology presents an inclusive and celebratory portrait of the high calibre of contemporary literature in Ireland. These stories run the gamut from heartbreaking to humorous, but each leaves a lasting impression. They chart the passions, obligations, trials and tribulations of a variety of vividly-drawn characters with unflinching honesty and relentless compassion. These are stories to savour.

Bone and Marrow/Cnámh agus Smior: An Anthology of Irish Poetry from Medieval to Modern is the most inclusive and comprehensive anthology of Irish-language poetry to date. Impressive in its breadth and scholarly in its depth, this collection casts a wide net, and in tracing Irish history since the sixth century to the present day, it makes evident that so much of the bone and marrow of Irish history and culture is poetry. Across the turbulent and often traumatic centuries, poets witnessed and gave witness to a multiplicity of Irish experiences; the rich and multifaceted tradition they created is both a reckoning with Irish, European, and global realities, and an imaginative response to them. Capturing the power and beauty of this diverse tradition, this indispensable volume reveals poetry's centrality to Irish history and culture. Meticulously researched by a team of twenty-two renowned international scholars, it features many new translations, introductory essays, and explanatory headnotes. This bilingual anthology should prove of inestimable value to students, academic, educators, and all those interested in Ireland's ever-evolving poetic traditions and culture.

We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes. The 32 is a celebration of working-class voices from the island of Ireland. Edited by award-winning novelist Paul McVeigh, this intimate and illuminating collection features memoir and essays from established and emerging Irish voices including Kevin Barry, Dermot Bolger, Roddy Doyle, Lisa McInerney, Lyra McKee and many more. Too often, working-class writers find that the hurdles they come up against are higher and harder to leap over than those faced by writers from more affluent backgrounds. As in Common People – an anthology of working-class writers edited by Kit de Waal and the inspiration behind this collection – The 32 sees writers who have made that leap reach back to give a helping hand to those coming up behind. Without these working-class voices, without the vital reflection of real lives or role models for working-class readers and writers, literature will be poorer. We will all be poorer.