Following the lifework (1960s to 2010) of visionary Singaporean architect William S. W. Lim, The Impossibility of Mapping (Urban Asia) is a compelling compilation of case studies and historical projects. This multifaceted publication takes Lim's ideas to a future Asia: a region defined by an irreducibly complex urban topography under constant flux. Looking from Singapore to Southeast Asia, and from this region to Asia more expansively (and beyond), it presents a diverse range of activities which may be productively framed through the notion of critical spatial practice.The book has three interconnected points of departure: Lim's lifework; the interdisciplinary exhibition 'Incomplete Urbanism: Attempts at Critical Spatial Practice' at NTU Centre for Contemporary Art Singapore, and the related conference, 'The Impossibility of Mapping (Urban Asia)'; and the cross-cultural and urban festival 'CITIES FOR PEOPLE, NTU CCA Ideas Fest 2016/17', held at venues around Gillman Barracks, Singapore. The multiple links are emphasised in three key ways: through editorial texts, through design concepts, and through selected projects inserted as 'intermissions' between each of the book's sections.Artists, planners, activists, architects, scholars get together in this volume to respond to Lim's critical spatial practice. Research essays, artworks, visual and textual documentation, spatio-temporal maps grapple with the diversity of Southeast Asia, offering unexpected responses to planning, building, and living cities and urban spaces, but also put forward the question, 'Who owns the city?'. This key collection offers a path into spatial questions in Asia and beyond, and serves as a teaching and research tool.

This book is an unusual attempt to study urban regeneration. First, it is based on mapping the realities of urban regeneration case study examples and their impacts on people, places, and city life experiences. Second, it is context-specific, exploring only a particular region rather than covering one country or multiple locations. Hence, the aim is to avoid generic and global solutions but rather focus on local pathways and directions. Third, it delves into specific case study examples that could share some lessons for research, practice, and academia, particularly in the field of urban regeneration. This book is the first of (hopefully) many more on the way in urban mapping studies with various themes and focus areas. The ultimate goal is to ensure urban mapping is recognized well and practiced extensively in research and education. It is essential to map realities in cities and communities, those that we usually witness but should be experienced, perceived, and touched—not just via desk research. Mapping techniques are more than just common tools in urbanism, urban geography, urban studies, urban planning, etc. They are not just tools but inventive ways of understanding cities, places, communities, experiences, and people. Thus, in this book, we try to understand more about people and places through life experiences and mapping the urban regeneration projects of multiple cities in Yunnan Province. This collection is based on a very concise context-specific research focused on only one region. The decision to do so is intentional, just because contextual, cultural, and local attributes need to be looked at more accurately, considerably, and dexterously. Hence, this collection delves into case study examples of an inspiring location where traditions remain, resources are plenteous, and cultures are diverse. Yunnan is one of the few provinces left in China that offers a lot for comprehensive research studies at the urban, rural, and township levels. The experiences we gained from mapping studies, observations, and multi-stakeholder engagements are exceptionally rich and vibrant, allowing us to think more holistically and find ways and suggestions beyond just the generic globalized models elsewhere. We hope the book will be useful to various stakeholders, particularly urban specialists, researchers, and students. It is also a valuable collection for policymakers, decision-makers, and governmental authorities, who should refrain from top-down processes and bring back people to the heart of urban regeneration processes.

Over the past few decades, rapid urbanisation has threatened to erode public space, especially in emerging economies. Market forces that prioritise profit generation are allowed to construct venues of consumption in its place. Though their physical appearance may resemble traditional public space, in reality, they are greatly restrictive and diminished in affordability, accessibility and social meaning. It is in this context that William SW Lim, chairman of Asian Urban Lab, has brought together architects, designers, historians, sociologists and urbanists from the region to discuss public space in selected Asian cities.Part One contains essays from participants from Chongqing, Hong Kong, Jakarta, Kuala Lumpur, Singapore and Taipei and observations from commentators. Several essays by William SW Lim on the subject round off the discussion in Part Two. The thoughtful essays in Public Space in Urban Asia emphasise how engaging with the present actuality of cities and public awareness of spatial justice in cities are crucial — for it is the achievement of spatial justice that will help create a greater level of happiness across societies in our increasingly urbanised world.

Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking. Experimental in form as well as in method, Climates. Habitats. Environments. features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid’s Metamorphoses to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore. Copublished with NTU Centre for Contemporary Art Singapore

Contributed articles; chiefly with reference to India and China.

Foreword by Leon van SchaikIncomplete Urbanism is a dynamic, hybrid interactive concept, which destabilizes the current architectural and urban theories and practices. Its main characteristics are indeterminacy, inconsistency and changeability, which are particularly challenging in the context of the New World Order and the fast emerging global digital network. It is a concept that can be effectively applied to any sizeable section of existing cities without the need for major readjustments and can be implemented at different rates in response to specific local conditions. As for the word ?critical?, I use it deliberately in order to convey the essential need to think creatively and positively in a controversial contesting and social-orientated manner about what we do, as it will constructively influence the way we do things that impact our values and social environment.