In the 1950s biologists became alarmed by the plight of Africa’s wildlife. Since then they have sought to arrest its decline, but increasing competition between wild fauna and expanding human populations shows that protection alone has been inadequate. The conservationists’ position and strategies have been progressively eroded: large-scale game cropping schemes have failed to produce expected revenues, the consequences of the tourist industry have been unexpectedly detrimental, and educational programs have rarely convinced rural Africans to conserve resources. Dr. Marks argues that the management and conservation of wild animals in Third World countries must include cultural as well as biological dimensions and that changes in human social systems will be necessary to sustain wildlife and the environmental processes. He describes indigenous attempts to manage wildlife and suggests new research initiatives that would lead to wildlife policies more in keeping with human development needs and with the realities of the rural countryside.

The Imperial Animal offers a compelling perspective on the controversy over humans and their biology. This now-classic study is about the social bonds that hold us together and the antisocial theories that drive us apart. The authors divulge how the evolutionary past of the species, reflected in genetic codes, determines our present and coerces our future. This book gives us a direct and intimate look at how we see ourselves. It offers insight into our politics, our ways of learning and teaching, reproducing and producing, playing and fighting. The authors assert that the purpose of this book is twofold: to describe what is known about the evolution of human behavior, and then to try to show how the consequences of this evolution affect our behavior today. To do this they draw from numerous disciplines—zoology, biology, history, and primatology, among others. In the new introduction, Tiger and Fox outline then- reasons for originally writing the book as well as the process they used to do their research. The Imperial Animal is a classic work that will continue to be of interest to sociologists, zoologists, biologists, and primatologists.

After the death of virtually all of her family in the battle of Camlan, Goewin--Princess of Britain, daughter of the High King Artos--makes a desperate journey to African Aksum, to meet with Constantine, the British ambassador and her fiance. But Aksum is undergoing political turmoil, and Goewin's relationship with its ambassador to Britain makes her position more than precarious. Caught between two countries, with the power to transform or end lives, Goewin fights to find and claim her place in a world that has suddenly, irrevocably changed. . . .

From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change. At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control. Contributors. Neel Ahuja, Tony Ballantyne, Antoinette Burton, Utathya Chattopadhyaya, Jonathan Goldberg-Hiller, Peter Hansen, Isabel Hofmeyr, Anna Jacobs, Daniel Heath Justice, Dane Kennedy, Jagjeet Lally, Krista Maglen, Amy E. Martin, Renisa Mawani, Heidi J. Nast, Michael A. Osborne, Harriet Ritvo, George Robb, Jonathan Saha, Sandra Swart, Angela Thompsell

In this crackling alternate history thriller set in the years after World War II—the riveting sequel to The Darkest Hour—London detective John Rossett joins forces with his Nazi boss to save the commander’s kidnapped daughter as the Germans race to make the first atomic bomb. With the end of the war, the victorious Germans now occupy a defeated Great Britain. In London, decorated detective John Henry Rossett, now reporting to the Nazi victors, lies in a hospital bed recovering from gunshot wounds. Desperate to avoid blame over the events that led to the shooting, his boss, Ernst Koehler, covers up the incident. But when Koehler’s wife and daughter are kidnapped by American spies, the terrified German turns to the only man he trusts to help him—a shrewd cop who will do whatever is necessary to get the job done: John Rossett. Surviving his brush with death, Rossett agrees to save his friend’s daughter. But in a chaotic new world ruled by treachery and betrayal, doing the right thing can get a man killed. Caught between the Nazi SS, the violent British resistance, and Americans with very uncertain loyalties, Rossett must secretly make his way out of London and find Ruth Hartz, a Jewish scientist working in Cambridge. Spared from death because of her intellect and expertise, she is forced to work on developing the atom bomb for Germany. Though she knows it could end any hope of freedom in Europe and maybe even the world, Ruth must finish the project—if she, too, wants to survive.

Rise and Fall of the Imperial Guptas is based of the entire source material that has come to light since 1888 when Dr. H.F. Fleet`s epoch-making work was published as Vol. III of the Corpus Inscriptionum Indicarum. Far reachinf changes in our knowledge of the history of the Guptas have been taking place in consequence of such discoveries as the Bhitari-Silver Copper Seal of Kumaragupta (1889) the Sarnath Inscriptions on Buddhs Images.

Book 13 in The Horus Heresy Primarch Series Each primarch is an exemplary being, derived from the Emperor’s own genetic stock to embody a facet of His personality. Their powers are unfathomable, but only one of them is the First. Lion El’Jonson is the paragon of what it is to be a primarch. His Legion, pre-eminent for most of their long history, typify the virtues of temperance, pride, and martial excellency that the Lion embodies. They are the Emperor’s last line and final sanction. They are His Dark Angels. Now, while the Emperor gathers His mightiest sons for an assault on Ullanor Prime, the Lord of the First instead draws his Legion to the farthest reaches of the known galaxy, seeking to subdue a single rebellious world. Is this but another example of the Lion’s infamous pride, or is there more afoot amidst that graveyard of empires that is the Ghoul Stars, more than the Lion will share even with his own sons?