An inaugural title in a new series showcasing the most significant illustrators of the modern era, this book explores the work of Ludwig Bemelmans. Recognized most widely as the creator and illustrator of the beloved children’s classic Madeline, Ludwig Bemelmans (1898–1962) also wrote and illustrated a number of other children’s books, novels, short stories, and travel books. His illustrations were frequently featured on the cover of the New Yorker throughout the 1940s and 1950s. As an artist, Bemelmans documented life as it went on around him, all the while inventing stories and characters from his vivid imagination and lively personality. His illustrations for the Madeline series are reminiscent of the work of Henri Matisse, Pablo Picasso, and Raoul Dufy, but possess a unique style that has resonated with readers around the world since the first book was published in 1939. A title in the new series, The Illustrators, which celebrates illustration as an art form, Ludwig Bemelmans offers a visually rich view into the life and work of this much-loved artist and writer, and includes exclusive sketches and photographs from the Bemelmans archive that have never been previously published.

An insightful appreciation of the life and art of Tove Jansson, creator of the Moomin books, which are adored by children and adults across the globe. This book provides fresh insight into and a deep appreciation of the life and art of Tove Jansson (1914–2001), one of the most original, influential, and perennially enjoyed illustrators of the twentieth century. In this volume Paul Gravett examines Jansson’s highly successful Moomin books, as well as her interpretations of classics such as Lewis Carroll’s Alice’s Adventures in Wonderland and The Hunting of the Snark, and J. R. R. Tolkien’s The Hobbit. Born in Helsinki among Finland’s Swedish-speaking minority, Jansson was brought up with a love for making art and stories in a supportive, artistic family. Her first illustrated tales were published when she was fourteen years old and she went on to draw humorous and political cartoons as well as striking front covers for the satirical magazine Garm, in response to events in World War II. As she developed from art student to painter and muralist, and from bohemian to lesbian, she also created her Moomin world, which appeared in her first children’s book in 1945 and then in newspaper strips. Beyond this imaginative achievement, Jansson also wrote many novels, documented here along with personal commentaries from her own writings. A title in The Illustrators series, which celebrates illustration as an art form, Tove Jansson offers a visually rich view into the life and work of this much-loved artist and writer.

Updated, expanded and redesigned with contemporary illustrations, this comprehensive guide covers all aspects of the law likely to affect illustrators. It contains recommended terms and conditions, advice on calculating fees, how to write a licence agreement and how to be protected against exploitative practices.

Illustrators Annual 2020 is the 2020 edition of Chronicle Books' yearly publication celebrating artists featured at the Bologna Children's Book Fair. Selected by the year's jury at the fair, these illustrators represent the most daring, exciting artistic minds working across the world. Celebrating debut and storied talent from around the world--talent poised to engage a whole new generation of book lovers--this glorious compendium can be read cover-to-cover or browsed through at random. * An annual publication that brings groundbreaking art from around the world to the English-speaking market * Inspires readers to marvel at the brilliance of the gifts shared by children's book illustrators * Provides a fascinating peek into the world of global children's book illustration A highlight of the time-honored gathering of children's publishers in Bologna, Italy, the Illustrators Annual is juried every year from the finest art at the show. Every year a new issue is published, each filled with art that represents the best of illustration today--and to come. * A must-have inspirational source for illustrators, artists, designers, and art fans alike, as well as educators, librarians, independent bookstore employees, and hardcore fans of children's books * The Bologna Illustrators Annual has long been a prized resource for artists, illustrators, and designers. * Great for those who enjoyed Illustrating Children's Books: Creating Pictures for Publication by Martin Salisbury, Writing Picture Books: A Hands-On Guide From Story Creation to Publication by Ann Whitford Paul, A Poem for Peter: The Story of Ezra Jack Keats and the Creation of The Snowy Day by Andrea Davis Pinkney

Thirteen illustrators whose work reveals the change in attitudes to children and the development of the publishing industry in the 19th century.

Explores the work fo twelve contemporary illustators of children's books and discusses the techniques and features of effective illustration across a variety of styles and media.

A thoughtful and intimate portrait of Judith Kerr, the much-loved children’s illustrator behind classics such as The Tiger Who Came to Tea and Mog the Forgetful Cat. This season’s second volume in The Illustrators series showcases the work of Judith Kerr, one of Britain’s most beloved authors and illustrators. She first started writing and illustrating stories for children when in her forties and some fifty years later she is still producing bestselling books. Her first book, The Tiger Who Came to Tea, is a well-established classic and the series about Mog the cat now runs to seventeen books in numerous editions worldwide. Kerr’s semiautobiographical children’s novel When Hitler Stole Pink Rabbit, about her family’s escape from Germany in 1933, is widely read and used in schools to teach what it is like to be a refugee. Joanna Carey, who has had unrestricted access to Judith Kerr and her archive, explores the backstory behind Kerr’s popular books and analyzes how she works. She draws on a range of never-before-seen visual materials to take readers behind the scenes of Kerr’s unforgettable creations. The result is not only a celebration of Kerr’s classic work, but also a thoughtful and intimate account of her long and remarkable career.