Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work. The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.

Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.

After the Bible, the Passover haggadah is the most widely read classic text in the Jewish tradition. More than four thousand editions have been published since the late fifteenth century, but few are as exquisite as the Washington Haggadah, which resides in the Library of Congress. Now, a stunning facsimile edition meticulously reproduced in full color brings this beautiful illuminated manuscript to a new generation. Joel ben Simeon, the creator of this unusually well-preserved codex, was among the most gifted and prolific scribe-artists in the history of the Jewish book. David Stern’s introduction reconstructs his professional biography and situates this masterwork within the historical development of the haggadah, tracing the different forms the text took in the Jewish centers of Europe at the dawn of modernity. Katrin Kogman-Appel shows how ben Simeon, more than just a copyist, was an active agent of cultural exchange. As he traveled between Jewish communities, he brought elements of Ashkenazi haggadah illustration to Italy and returned with stylistic devices acquired during his journeys. In addition to traditional Passover images, realistic illustrations of day-to-day life provide a rare window into the world of late fifteenth-century Europe. This edition faithfully preserves the original text, with the Hebrew facsimile appearing in the original right-to-left orientation. It will be read and treasured by anyone interested in Jewish history, medieval illuminated manuscripts, and the history of the haggadah.

The Joyous Haggadah is a joy to read! Created and published by award wining cartoonist Richard Codor and co-authored with his wife Liora Codor, it follows the traditional order of the fourteen steps of the Seder and is filled with colorful cartoon illustrations (and special funny details in the borders and corners). The prayers, ceremony and story are concise and easy to understand. The prayers are gender sensitive and written in English, transliterated English, and Hebrew. Additionally, there are sing-along-songs and easy to make recipes.

This fifteenth-century haggadah, with a prologue by a Dominican friar, offers a unique view of contemporary Christian perceptions of Judaism. This edition includes a facsimile of the codex; a critical edition and translation of the prologue; a translation of the haggadah; and essays describing the historical and theological background.

Reflecting its Talmudic ancestry, this illuminated Haggadah contains Jewishtories and traditions, and is also a prayerbook made for use. It tells thetory of release from persecution and slavery into freedom and a new life. Its as relevant today as when it was written, over 2000 years ago.;The Exoduxf the Children of Israel from Egypt is a pivotal event in the Bible,elebrated today in books, plays and films. Each year, during the festival ofassover, Jewish families gather to remember the Exodus. The evening meal, oreder, is filled with biblical readings, symbolic foods to be eaten and songso be sung. The traditional patter of this meal is recorded in the Haggadah -iterally, "story-telling".;The book is decorated with illustrations takenrom the British Library's collection of Medieval Haggadot, and theommentary makes the book accessible to all readers.