This book suggests that untying and recognising relations of intimacy and dependency can, under certain circumstances, change the discourse of hatred into relations of peace and even friendship.

The 21st century might well be called the age of hatred. This is not because there is more violence in the world but because hatred has been transformed from a concept perceived to be a by-product of personal or collective violence into a discursive field. But what if longstanding antagonisms, especially those between social groups, turned out to involve desire rather than revulsion? The Ideology of Hatred develops a psychosocial framework for understanding this new phenomenon by interrogating unconscious mechanisms within national discourse. It opens new and timely venues for thinking about the paradoxes of love and hate while raising questions about social attachment and otherness. Is it possible that hatred operates by maintaining a safe closeness, enhancing the illusion of separateness as well as a sense of proximity at one and the same time? Could it be that love actually survives through the discourse of hatred as an invisible relation of attachment, necessary but unthinkable? A key term in the book is the "political unconscious," a concept signifying the transformation of the unthinkable into a language that disavows the desire of and for the Other. Invoking this and other psychoanalytic concepts, the book proposes that at the heart of all national conflicts lies a riddle: the enigma of desire. The discourse of hatred works today as both a defense mechanism and as a political fantasy whose dream is to annihilate the Other of desire, that familial and different, threatening and intimate Other. Yet because love-in-hatred is denied but not erased, love can therefore also be reimagined. This suggests that untying and recognizing relations of intimacy and dependency can, under certain circumstances, change the discourse of hatred into relations of peace and even friendship. In addition to its strong theoretical component, the book is also based on extensive empirical research, especially into hate relations among Jews and between Jews and Palestinians in Israel.

Since its inception in 1992, the Sci-Fi Channel (later rebranded as SYFY) has aired more than 500 network-produced or commissioned films. Campy and prolific, the network churned out one low-budget film after another, finally finding its zenith in the 2013 release of Sharknado. With unpretentious charm and a hearty helping of commodified nostalgia, the Sharknado franchise briefly ruled the cultural consciousness and temporarily transformed SYFY's original films from cult fringe to appointment television. Naturally, the network followed up with a steady stream of sequels and spin-offs, including Lavalantula and its sequel, 2 Lava 2 Lantula! This collection of essays is the first to devote critical attention to SYFY's original film canon, both pre- and post-Sharknado. In addition to unpacking the cultural, historical and critical underpinnings of the monsters at the heart of SYFY's classic creature features, the contributors offer a variety of approaches to understanding and interrogating these films within the broader contexts of ecocriticism, monster theory, post-9/11 criticism, and neocolonialism. Providing a further entry point for future scholarship, an appendix details a thorough filmography of SYFY's original films from 1992 to 2022.

Explores how white supremacist groups use popular music and culture to teach hate and promote violence. Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes. Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports “trendy fascism,” a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy. “Trendy Fascism has the potential to unsettle how theorists of democracy frame their most basic assumptions in the study of politics. The case studies of white power music are indeed unsettling, and at times they will bring chills to the reader. But, as Love argues, we must confront the realities of and rationalizations for the often-disavowed transnational white supremacist communities and networks in our political present if we are serious about overturning the racial contract pervading late modern states.” — Neil Roberts, Williams College

A Biography Book of Basuki Tjahaja Purnama (BTP). This book is a collection of stories about BTP from the views of 51 authors from various backgrounds. This book was conceived as a 51st birthday present for BTP. This book is the english version of Ahok di Mata Mereka.

This book provides a theoretical framework for understanding polarised politics. Contrary to the common understanding that polarisation is associated with populism and illiberal democracies, this book demonstrates that polarisation is by no means the result of one anti-democratic side of the conflict. By proposing this analytical inquiry, this book advances a new theoretical framework to characterise politics as either polarised or not. This framework is a unique approach that integrates people’s agency and socio-historical constraints to explain polarisation in depth. Drawing on Foucault’s concept of discourse, subject, and governmentality, and Laclau’s concept of logics and hegemony, this framework focuses on how to distinguish polarised politics from another form of politics. As a technology of power, polarisation can be performed by a variety of actors and is governed by a broad, conscious end, that is organising society by reducing the possibilities of alternative ways of thinking, speaking and doing politics to two options. This study takes a deep dive into the political polarisation in Venezuela, a country with almost two decades of conflict between Chavismo and the Opposition disputing the meaning of democracy, and with the most critical crisis in the Americas as a result of polarisation. With close attention paid to the logics or rationalities of power to explain what lies behind definitions of democracy. This analysis allows us to observe the rationalities and dynamics beyond what is said, in particular, the book explores hegemonic logics (myths, fantasies of threats and promises) used by both political groups to create a political identity.

Americans now learn about the Holocaust in high school, watch films about it on television, and visit museums dedicated to preserving its memory. But for the first two decades following the end of World War II, discussion of the destruction of European Jewry was largely absent from American culture and the tragedy of the Holocaust was generally seen as irrelevant to non-Jewish Americans. Today, the Holocaust is widely recognized as a universal moral touchstone. In Reluctant Witnesses, sociologist Arlene Stein--herself the daughter of a Holocaust survivor--mixes memoir, history, and sociological analysis to tell the story of the rise of Holocaust consciousness in the United States from the perspective of survivors and their descendants. If survivors tended to see Holocaust storytelling as mainly a private affair, their children--who reached adulthood during the heyday of identity politics--reclaimed their hidden family histories and transformed them into public stories. Reluctant Witnesses documents how a group of people who had previously been unrecognized and misunderstood managed to find its voice. It tells this story in relation to the changing status of trauma and victimhood in American culture. At a time when a sense of Holocaust fatigue seems to be setting in and when the remaining survivors are at the end of their lives, it affirms that confronting traumatic memories and catastrophic histories can help us make our world mean something beyond ourselves.