'I know you'll return.' These are his grandmother's last words to him. Leo has them in his head as he boards the truck to Russia one freezing mid-January morning in 1945. They keep him alive - through hunger, pain, and despair - during his time in the Gulag. And, eventually, they will bring him back home. Mller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond one man's physical travails and into the depths of the human soul.

The #1 New York Times bestselling author of the Crossfire series invites you to explore the seductive underworld where lycans, vampires and angels vie for supremacy in the second novel in the Renegade Angels series. Elijah Reynolds is the most dominant of lycans, a rare Alpha whose skill on the hunt is surpassed only by his primal sexuality. When the lycans revolt due to the iron fist of angelic rule, he steps into command, becoming both enemy and coveted ally in the conflict between vampires and angels. Vashti is the second most powerful vampire in the world, a lethal beauty with a path of devastation in her wake. Tasked with proposing an alliance between vampires and the lycans who killed her mate, Vash approaches Elijah, whose need to avenge a friend demands Vash’s death even as his passion demands her surrender. Soon, their enmity erodes beneath an all-consuming desire. Elijah has never encountered a woman whose warrior spirit and fierce sexual appetite rivals his own, while Vash is faced with the one man strong enough to be her equal. But as war looms, each must decide where their loyalty lies—with their own kind or with the enemy lover they can no longer live without.

Mueller takes an unflinching look at the alienation and complexity of a rapidly changing Eastern Europe, focusing on a group of young friends in Ceaucescu's Romania.

An early masterpiece from the winner of the Nobel Prize hailed as the laureate of life under totalitarianism Romania-the last months of the Ceausescu regime. Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara's lover. But one of them works for the secret police and is reporting on all of the group. One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it's the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police-the fox was ever the hunter. Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it's hard to tell victim from perpetrator. In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose"-as the Swedish Academy noted upon awarding her the Nobel Prize-to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.

A masterful new novel from the winner of the 2009 Nobel Prize, hailed for depicting the "landscape of the dispossessed" with "the concentration of poetry and the frankness of prose" (Nobel Prize Committee) It was an icy morning in January 1945 when the patrol came for seventeen-year-old Leo Auberg to deport him to a camp in the Soviet Union. Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread. In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life. Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

From the winner of the IMPAC Award comes a fierce novel about a young Romanian woman's discovery of betrayal in the most intimate reaches of her life.

'It was a very momentous day, the day on which I was to be slaughtered' Bringing together tales of melancholy and madness, nightmare and fantasy, this is a new collection of the most haunting German stories from the past 200 years. Ranging from the Romantics of the early nineteenth century to works of contemporary fiction, it includes Hoffmann's hallucinatory portrait of terror and insanity 'The Sandman'; Chamisso's influential black masterpiece 'Peter Schlemiel', where a man barters his own shadow; Kafka's chilling, disturbing satire 'In the Penal Colony'; the Dadaist surrealism of Kurt Schwitters' 'The Onion'; and Bachmann's modern fairy tale 'The Secrets of the Princess of Kagran'. Macabre, dreamlike and expressing deep unconscious fears, these stories are also spiked with unsettling humour, showing stylistic daring as well as giving insight into the darkest recesses of the human condition. Peter Wortsman's powerful translations are accompanied by brief overviews of the lives of each author, and an introduction discussing the notion of 'angst' and the stories' place in the context of German history. Translated, selected and edited with an introduction by Peter Wortsman