The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry—covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living House reveals new insights into the kinship systems, gender symbolism and cosmological principles of the peoples who build them, ultimately uncovering fundamental themes concerning the concepts of life force and life processes inherent in all of these cultures. A vivid picture is produced of how people shape buildings and buildings shape people—how rules about layout and spatial usage impact social relationships. The book concludes with a consideration of present-day changes affecting the fates of indigenous cultures and architectures throughout the region. This book will be of tremendous interest to architects and historians, and anyone interested in the indigenous art and cultures of South-East Asia.

Explores the concept of 'house' in the context of Levi-Strauss' idea of the house as a link between kinship-based societies and class societies, developing this further into an examination of a conjuncture of architecture, people and symbolism.

Southeast Asian architecture tends to be generalized under one umbrella due to the countries’ common geographical, climatic, and historical context. However, Southeast Asian countries are dissimilar due to their ethnic and religious differences, which led to each country’s own subtle characteristics in housing. In order to identify the commonality and diversity among Southeast Asian architecture, details of the architectural forms have to be carefully analyzed. This book begins with an introductory section about housing culture in Southeast Asia as a whole and then examines the traditional houses of five countries in more detail. Each chapter contains a brief summary of a Southeast Asian country’s history and culture and an introduction to the general characteristics and major types of traditional houses of the country. This is followed by a detailed explanation on the form and significance of one of the country’s major types of housing. The authors also explain how traditional houses are being modernized, offering a glimpse at the future of traditional housing in each country.

This volume, lavishly illustrated with colour plates and line drawings by the author, covers traditional domestic architectural forms from the earliest reconstructions of Don Song culture through the different regional variants on the mainland and in the archipelago.

Featuring over 350 beautiful photographs, Chinese Houses of Southeast Asia captures the architectural heritage of a vibrant community. The multiple Chinese migrations from southeastern China to Southeast Asia have had important implications for both regions. In Southeast Asia this influence can be seen in the architecturally eclectic homes these migrants and their descendants built as they became successful; homes that combined Chinese, European and local influences, especially during the nineteenth and early twentieth centuries. Chinese Houses of Southeast Asia strives not only to be an informative but also an authoritative book on the subject of hybrid architecture—filled with stunning color photographs and essays on nearly thirty well-preserved homes. An introductory essay portrays the historical circumstances that gave rise to Chinese houses overseas, and includes historic images, color photographs, paintings and line drawings. At the core of the book is a comprehensive set of stunning color photographs of nearly thirty well-preserved homes built by Chinese immigrants and their descendants in various countries of Southeast Asia. Images and drawings from southeastern China help clarify similarities and differences. For each home, extensive captions accompany the photographs and the essay supplies background information concerning the individual and family who built and resided in each house. The historical context, nature of the building, and the restoration history of the home is included. Extensive information about the symbolism implicit in the decorative elements that make up each of the homes is presented. This includes an examination of ornamental elements that are Chinese in origin as well as those decorative components that are Western. Chinese Houses of Southeast Asia has been written in a nontechnical style, accessible to lay readers who are interested in the extraordinary architectural heritage of China, much of which is only now beginning to be appreciated.