Beginning with the red earthenware made by the potters of Jamestown in 1607 and continuing through objects made by ceramic artists today, this carefully researched and copiously illustrated volume canvases the major developments and practitioners of the art.

A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art

Ceramic Materials: Science and Engineering is an up-to-date treatment of ceramic science, engineering, and applications in a single, integrated text. Building on a foundation of crystal structures, phase equilibria, defects and the mechanical properties of ceramic materials, students are shown how these materials are processed for a broad diversity of applications in today's society. Concepts such as how and why ions move, how ceramics interact with light and magnetic fields, and how they respond to temperature changes are discussed in the context of their applications. References to the art and history of ceramics are included throughout the text. The text concludes with discussions of ceramics in biology and medicine, ceramics as gemstones and the role of ceramics in the interplay between industry and the environment. Extensively illustrated, the text also includes questions for the student and recommendations for additional reading. KEY FEATURES: Combines the treatment of bioceramics, furnaces, glass, optics, pores, gemstones, and point defects in a single text Provides abundant examples and illustrations relating theory to practical applications Suitable for advanced undergraduate and graduate teaching and as a reference for researchers in materials science Written by established and successful teachers and authors with experience in both research and industry

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"In American Ceramics: 1876 to the present, the noted ceramics authority Garth Clark gives us the most richly illustrated, up-to-the minute, and comprehensive publication on the history and triumph of our most tactile art. With a text that elegantly marries cultural history to critical analysis, Clark reveals, decade by decade, how American ceramics emerged from an incipient art-pottery movement in the late nineteenth century to its position of international preeminence in the last thirty-five years. Clark's cogent narrative and aesthetic insights are illuminated by more than one hundred color and 140 black-and-white reproductions, which enable us to see afresh the full range of imagery and forms--pottery, sculpture, events, and environments--that American artists have created with clay during the past one hundred eleven years. We are informed of the divers achievements of more than two hundred artists, from the pioneering potters Mary Louise McLaughlin, Maria Longworth Nichols, and, later, Adelaide Alsop Robineau, and the maverick George Ohr to such contemporary figures as Peter Voulkos, Robert Arneson, Kenneth Price, Jim Melchert, Betty Woodman, Viola Frey, Beatrice Wood, and Adrian Saxe. This encyclopedic work concludes with an extensive chronology of ceramic milestone, a list of significant exhibitions, and more than 170 biographical essays illustrated with photographs of the artists. The bibliography is the most comprehensive ever compiled on American ceramics and includes 1,200 entries indexed by both subject and artist." -- Publisher's description