The Hiltons is a sweeping saga of the success-and excess-of an iconic American family. Demanding and enigmatic, patriarch Conrad Hilton's visionary ideas and unyielding will established the model for the modern luxury hotel industry. But outside the boardroom, Conrad struggled with emotional detachment, failed marriages, and conflicted Catholicism. Then there were his children: Playboy Nicky Hilton's tragic alcoholism and marriage to Elizabeth Taylor was the stuff of tabloid legend. Barron Hilton, on the other hand, deftly handled his father's legacy, carrying the Hilton brand triumphantly into the new millennium. Eric, raised apart from his older brothers, accepted his supporting role in the Hilton dynasty with calm and quiet-a stark contrast to the boys' much younger half-sister Francesca, whose battle for recognition led her into courtrooms and conflict. The cast of supporting players includes the inimitable Zsa Zsa Gabor, who was married to Conrad briefly and remained a thorn in his side for decades, and a host of other Hollywood and business luminaries with whom the Hiltons crossed paths and swords over the years.

This intimate, shocking—and thoroughly unauthorized—portrait of the Hiltons chronicles the family’s amazing odyssey from poverty and obscurity to glory and glamour. From Conrad Hilton, the eccentric “innkeeper to the world” who built a global empire beginning with a fleabag in a dusty Texas backwater, to Paris Hilton, his great-granddaughter, whose fame took off with a sex video, House of Hilton is the unauthorized, eye-popping portrait of one of America’s most outrageous dynasties. If you want to know how Paris Hilton became who she is, you have to know where she came from. From scores of candid and exclusive interviews, from private documents and public records, New York Times bestselling author Jerry Oppenheimer has dug deeply into her paternal and maternal family roots to reveal the often shocking, tragic, and comic lives that helped shape the world’s most famous and fabulous “celebutante.” The cast of characters includes Paris’s maternal grandmother, a materialistic “stage mother from hell.” There is Paris’s maternal grandfather, who became an alcoholic housepainter. The life of Paris’s mother, Kathy Hilton, groomed by her mother to be a star and marry rich, is candidly revealed, too, as is that of Paris’s father, Rick, Conrad’s grandson. Paris’s tabloid antics are truly in the Hilton tradition. Set against a glittery Hollywood backdrop—with appearances by stars like Elizabeth Taylor, Zsa Zsa Gabor, Natalie Wood, and Joan Collins—House of Hilton brings to light a cornucopia of closely held Hilton family secrets and sexual peccadilloes, such as the many affairs and the nightclub-brawling, boozing, and pill-popping life of Paris’s great-uncle, Nick Hilton. The story of his hellish marriage to Liz Taylor alone rivals any of today’s Hollywood breakups. Behind it all was Conrad Hilton, who built his worldwide empire through the Great Depression while others were jumping out of windows. A devout Catholic publicly, his personal life was that of an unrepentant sinner. His first marriage was to Mary Barron Hilton, a sexy, hard-drinking, gambling Kentucky teenager half Conrad’s age. Wife number two was the gorgeous Zsa Zsa, who, like Paris, was famous for being famous. Their tumultuous marriage and headline-making divorce are revealed here in all their juicy glory. In all, House of Hilton is a gripping American saga, from the fire and passions that built a business empire to the debauchery and amorality passed on from one generation to the next.

In postwar Europe and the Middle East, Hilton hotels were quite literally "little Americas." For American businessmen and tourists, a Hilton Hotel—with the comfortable familiarity of an English-speaking staff, a restaurant that served cheeseburgers and milkshakes, trans-Atlantic telephone lines, and, most important, air-conditioned modernity—offered a respite from the disturbingly alien. For impoverished local populations, these same features lent the Hilton a utopian aura. The Hilton was a space of luxury and desire, a space that realized, permanently and prominently, the new and powerful presence of the United States. Building the Cold War examines the architectural means by which the Hilton was written into the urban topographies of the major cities of Europe and the Middle East as an effective representation of the United States. Between 1953 and 1966, Hilton International built sixteen luxury hotels abroad. Often the Hilton was the first significant modern structure in the host city, as well as its finest hotel. The Hiltons introduced a striking visual contrast to the traditional architectural forms of such cities as Istanbul, Cairo, Athens, and Jerusalem, where the impact of its new architecture was amplified by the hotel's unprecedented siting and scale. Even in cities familiar with the Modern, the new Hilton often dominated the urban landscape with its height, changing the look of the city. The London Hilton on Park Lane, for example, was the first structure in London that was higher than St. Paul's cathedral. In his autobiography, Conrad N. Hilton claimed that these hotels were constructed for profit and for political impact: "an integral part of my dream was to show the countries most exposed to Communism the other side of the coin—the fruits of the free world." Exploring everything the carefully drafted contracts for the buildings to the remarkable visual and social impact on their host cities, Wharton offers a theoretically sophisticated critique of one of the Cold War's first international businesses and demonstrates that the Hilton's role in the struggle against Communism was, as Conrad Hilton declared, significant, though in ways that he could not have imagined. Many of these postwar Hiltons still flourish. Those who stay in them will learn a great deal about their experience from this new assessment of hotel space.

Perez Hilton—self-proclaimed “Queen of All Media” and founder of PerezHilton.com—cuts loose with a book that secures his reputation as “the most-hated man in Hollywood” (Rolling Stone). The best part: it’s hysterically funny—and shockingly true… Psycho celebs dominate news, fashion, and trends, influencing how we speak and what we wear. We’re obsessed! Our reality-based, gossip-driven world has set the barometer for what’s in and what’s out. So, how do we become like the famous? Well, post a grainy sex video online, drive high and wasted against oncoming traffic, flash your coochie for the cameras, and if those don’t work, attempt suicide—and you’re bound to become a “Hilton.” Now the man infamous for breaking raw superstar dish and jaw-dropping commentary lends his fearless voice, notorious sense of humor, and outrageous sensibility to Red-Carpet Suicide, a generation-defining, hilarious survival guide.

The New York Times Bestseller, Confessions of an Heiress reveals the fast, fun world of Paris Hilton, packed with enough photos, advice, and inside scoop to help anyone become an heiress and live a life of luxury. Paris Hilton has a lifestyle most girls dream about, but can she help it if she was born rich and beautiful? Now, with her trademark sense of humor, Paris looks back on her rise to fame and reveals the delicious details of her fairy tale life. Now, with a sly sense of humor and a big wink at her media image, Paris lets you in for a sneak peek at the life of a real, live heiress/model/actress/singer/it-girl and tells you how anyone can live a fairy-tale life like hers. She also shares personal information on her lifelong friendship with sister Nicky; fashion shows and favorite designers; her famous friends; how she likes to travel; what modeling is like; her highly successful television show The Simple Life; and a look at the glamorous life of her teacup chihuahua Tinkerbell—the best dressed dog in the world. Featuring beautiful, full-color photos of Paris, Confessions of an Heiress is a look at life from the unique perspective of a celebrity who has the whole world at her Jimmy Choo-clad feet.

The lives and loves of Daisy and Violet Hilton follows the poignant life story of twin sisters who were literally joined at the hip, set against the tumultuous backdrop of America during the first half of the 20th century. Daisy and Violet and an unforgettable cast of show-business characters come alive on the pages of this carefully researched and sensitively written biography. Reviews "Jensen's book is a testament to the fickleness of the entertainment world." -Tampa Bay Tribune "It is an affecting story, gently and honestly told without frills, without sensation. In Jensen's hands, the twins are always human, individuals, never freaks joined at the hips as the world saw them after their birth in 1908. . . Here, their story is pure." -Milwaukee Journal Sentinel