The beloved, life-affirming international bestseller which has sold over 5 million copies worldwide - now a major film starring Lily James, Matthew Goode, Jessica Brown Findlay, Tom Courtenay and Penelope Wilton To give them hope she must tell their story It's 1946. The war is over, and Juliet Ashton has writer's block. But when she receives a letter from Dawsey Adams of Guernsey – a total stranger living halfway across the Channel, who has come across her name written in a second hand book – she enters into a correspondence with him, and in time with all the members of the extraordinary Guernsey Literary and Potato Peel Pie Society. Through their letters, the society tell Juliet about life on the island, their love of books – and the long shadow cast by their time living under German occupation. Drawn into their irresistible world, Juliet sets sail for the island, changing her life forever.

The Path You Make is an inspiring, soul-searching adventure tale written by Australian woman, Kym Wilson, who walked more than 2000 kilometres on the Via Francigena from Canterbury to Rome in search of her purpose and to honour the healing of ancestral wounds in her maternal lineage."We don't always make our best decisions when we are panicked. I was desperate, and as I couldn't answer the question for myself about what I wanted to do, I hoped someone else would answer it for me. The thing was that I didn't want anyone else to tell me what I was good at; I wanted to know what my heart wanted to do. What could I do that would bring me alive every day, using my gifts and abilities to make a real difference in the world?"Unhappy in her job and uncertain of her purpose, Australian woman Kym Wilson makes an unexpected decision to leave behind her life in Melbourne and walk the Via Francigena, the ancient pilgrim route that leads from Canterbury in England to St Peter's Square in Rome. Over the 2000-kilometre journey, Kym confronts difficult terrain, exhaustion and pain, fierce weather, snarling dogs, and mud that clumps and clings to her boots. Despite these challenges, she remains true to her quest to understand what her heart truly desires. Kym's story reminds us that the paths we take may lead us to places we never imagined and that the answers we seek are deep within us, if only we can learn how to find them.

Of late years the ancient superstitions of the people, their legendary tales, their proverbial sayings, and, in fine, all that is designated by the comprehensive term of "Folk-Lore," have attracted much and deserved attention. Puerile as are many of these subjects, they become interesting when a comparison is instituted amongst them as they exist in various countries. It is then seen how wide is their spread—how, for example, the same incident in a fairy tale, modified according to the manners and customs of the people by whom it is related, extends from the remotest east to the westernmost confines of Europe, and is even found occasionally to re-appear among the wild tribes of the American Continent, and the isolated inhabitants of Polynesia. The ethnologist may find in this an argument for the common origin of all nations, and their gradual spread from one central point,—the philosopher and psychologist may speculate on the wonderful construction of the human mind, and, throwing aside the idea of the unity of the race, may attribute the similarities of tradition to an innate set of ideas, which find their expression in certain definite forms,—while the historian and antiquary may sometimes discover in these popular traditions, a confirmation or explanation of some doubtful point. Lastly, he whose sole object is amusement, and whose taste is not entirely vitiated by the exaggerated and exciting fiction of modern times, will turn with pleasure to the simple tales which have amused his childhood, and which are ever fresh and ever new. Much of this ancient lore has already perished, and much is every day disappearing before the influence of the printing press, and the consequent extension of education.

Love arrives at the most unexpected time . . . 1821: Elias Roch has ghastly luck with women. He met Josephine De Clare once and penned dozens of letters hoping to find her again. 2021: Josie De Clare has questionable taste in boyfriends. The last one nearly ruined her friendship with her best friend. Now, in the wake of her father's death, Josie finds Elias's letters. Suddenly she's falling in love with a guy who lived two hundred years ago. And star-crossed doesn't even begin to cover it . . . “Dearest Josephine is the type of story that becomes your own. The characters’ heartaches worked their way into my own chest until I hurt with them, hoped with them, and dared to dream with them. This book is teeming with swoon-worthy prose, adorable humor, and an expert delivery of ‘Will they end up together?’ I guarantee you’ll be burning the midnight candle to a stub to get answers. Step aside Pride and Prejudice, there’s a new romance on the English moors.” —Nadine Brandes, author of Romanov “Caroline George infuses an epistolary love story with a romance and charm that crosses centuries. Touching and inventive, it bursts with wit, warmth, and a blending of classic and contemporary that goes together like scones and clotted cream. Dearest Josephine is a delight.” —Emily Bain Murphy, author of The Disappearances “Dearest Josephine is more than an immersive read. It is a book lover’s dream experience. Josie’s residence in a gothic English manor and her deeply romantic connection to Elias, who lived years in the past, is as chillingly atmospheric as Rochester calling across the moors. This story is George’s treatise on the power of books and character to creep across centuries, to pull us close and invite us to live in a fantasy where we find love—literally—in the kinship of ink and binding. But it also acknowledges the dangers of letting ourselves fall too deeply when sometimes an equally powerful connection is waiting next door. This love letter to books, and the readers who exist in and for them, is a wondrously singular escape.” —Rachel McMillan, author of The London Restoration and The Mozart Code Romantic and evocative read in both contemporary and historical time periods Stand-alone novel Book length: 86,000 words Includes discussion questions for book clubs

The task is simple: Don a disguise. Survive the labyrinth . . . Best the boys. Every year for the past fifty-four years, the residents of Pinsbury Port have received a mysterious letter inviting all eligible-aged boys to compete for an esteemed scholarship to the all-male Stemwick University. The poorer residents look to see if their names are on the list. The wealthier look to see how likely their sons are to survive. And Rhen Tellur opens it to see if she can derive which substances the ink and parchment are created from, using her father’s microscope. In the province of Caldon, where women train in wifely duties and men pursue collegiate education, sixteen-year-old Rhen Tellur wants nothing more than to become a scientist. As the poor of her seaside town fall prey to a deadly disease, she and her father work desperately to find a cure. But when her mum succumbs to it as well? Rhen decides to take the future into her own hands—through the annual all-male scholarship competition. With her cousin, Seleni, by her side, the girls don disguises and enter Mr. Holm’s labyrinth, to best the boys and claim the scholarship prize. Except not everyone is ready for a girl who doesn’t know her place. And not everyone survives the deadly maze. Welcome to the labyrinth. Praise for To Best the Boys: “Atmospheric, romantic, inspiring.” —KRISTEN CICCARELLI, internationally bestselling author of The Last Namsara "Smart, determined, and ready to take on the world: Rhen Tellur is an outstanding heroine with every reason to win a competition historically intended for boys." —Jodi Meadows, New York Times bestselling author of The Incarnate Trilogy and coauthor of My Lady Jane A “Hunger Games/Handmaid’s Tale mash-up.” —BN Teen Blog