The Haunted Looking Glass is the late Edward Gorey's selection of his favorite tales of ghosts, ghouls, and grisly goings-on. It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations. ALGERNON BLACKWOOD, "The Empty House" W.F. HARVEY, "August Heat" CHARLES DICKENS, "The Signalman" L.P. HARTLEY, "A Visitor from Down Under" R.H. MALDEN, "The Thirteenth Tree" ROBERT LOUIS STEVENSON, "The Body-Snatcher" E. NESBIT, "Man-Size in Marble" BRAM STOKER, "The Judge's House" TOM HOOD, "The Shadow of a Shade" W.W. JACOBS, "The Monkey's Paw," WILKIE COLLINS, "The Dream Woman" M.R. JAMES, "Casting the Runes"

Polish cinema has produced some of Europe's finest directors, such as Krzysztof Kie´slowski, Roman Polanski, Andrzej Wajda, and Krzysztof Zanussi, but little is known about its origins at the turn of the twentieth century. In The Law of the Looking Glass, Sheila Skaff analyzes the early years of Polish cinema. She looks at local film production, practices of spectatorship, clashes over language choice in intertitles, and the controversies surrounding the first synchronized sound experiments before World War I. Skaff discusses the creation of a national film industry in the newly independent country of the interwar years; silent cinema; the transition from silent to sound film, including the passionate debates in the press over the transition; and the first Polish and Yiddish “talkies.” The Law of the Looking Glass places particular importance on conflicts in majority-minority relations in the region and the types of collaboration that led to important films such as Der dibuk.

For decades, a great number of Americans saw Alger Hiss as an innocent victim of McCarthyism--a distinguished diplomat railroaded by an ambitious Richard Nixon. And even as the case against Hiss grew over time, his dignified demeanor helped create an aura of innocence that outshone the facts in many minds. Now G. Edward White deftly draws together the countless details of Hiss's life--from his upper middle-class childhood in Baltimore and his brilliant success at Harvard to his later career as a self-made martyr to McCarthyism--to paint a fascinating portrait of a man whose life was devoted to perpetuating a lie. White catalogs the evidence that proved Hiss's guilt, from Whittaker Chambers's famous testimony, to copies of State Department documents typed on Hiss's typewriter, to Allen Weinstein's groundbreaking investigation in the 1970s. The author then explores the central conundrums of Hiss's life: Why did this talented lawyer become a Communist and a Soviet spy? Why did he devote so much of his life to an extensive public campaign to deny his espionage? And how, without producing any new evidence, did he convince many people that he was innocent? White offers a compelling analysis of Hiss's behavior in the face of growing evidence of his guilt, revealing how this behavior fit into an ongoing pattern of denial and duplicity in his life. The story of Alger Hiss is in part a reflection of Cold War America--a time of ideological passions, partisan battles, and secret lives. It is also a story that transcends a particular historical era--a story about individuals who choose to engage in espionage for foreign powers and the secret worlds they choose to conceal. In White's skilled hands, the life of Alger Hiss comes to illuminate both of those themes.