By the spring of 1943 more than a half million blacks were in the U.S. Army, but only 79,000 of them were overseas. Most were repeating the experience of their fathers in World War I - serving chiefly in labor battalions. Domestically, clashes between blacks and whites vying for the same jobs in boomtown defense-plant cities and the wretched treatment of northern black draftees in the South - where Jim Crow discrimination was prevalent - were all too common. In Harlem at War, Nat Brandt vividly recreates the desolation of black communities during World War II and examines the nation-wide conditions that led up to the Harlem riot of 1943. Wherever black troops were trained or stationed, Brandt explains, "rage surfaced frequently, was suppressed, but was not extinguished." Using eyewitness accounts, he describes the rage Harlemites felt, the discrimination and humiliation they shared with blacks across the country. The collective anger erupted one day in Harlem when a young black soldier was shot by a white police officer. The riot, in which six blacks were killed, seven hundred injured, and six arrested, became a turning point in America's race relations and a precursor to the civil rights struggle of the 1960s.

A comprehensive guide to New York City’s historical geography of social and political movements. Occupy Wall Street did not come from nowhere. It was part of a long history of uprising that has shaped New York City. From the earliest European colonization to the present, New Yorkers have been revolting. Hard hitting, revealing, and insightful, Revolting New York tells the story of New York’s evolution through revolution, a story of near-continuous popular (and sometimes not-so-popular) uprising. Richly illustrated with more than ninety historical and contemporary images, historical maps, and maps drawn especially for the book, Revolting New York provides the first comprehensive account of the historical geography of revolt in New York, from the earliest uprisings of the Munsee against the Dutch occupation of Manhattan in the seventeenth century to the Black Lives Matter movement and the unrest of the Trump era. Through this rich narrative, editors Neil Smith and Don Mitchell reveal a continuous, if varied and punctuated, history of rebellion in New York that is as vital as the more standard histories of formal politics, planning, economic growth, and restructuring that largely define our consciousness of New York’s story. Contributors: Marnie Brady, Kathleen Dunn, Zultán Gluck, Rachel Goffe, Harmony Goldberg, Amanda Huron, Malav Kanuga, Esteban Kelly, Manissa McCleave Maharawal, Don Mitchell, Justin Sean Myers, Brendan P. O’Malley, Raymond Pettit, Miguelina Rodriguez, Jenjoy Roybal, McNair Scott, Erin Siodmak, Neil Smith, Peter Waldman, and Nicole Watson. “The writing is first-rate, with ample illustrations and many contemporary and historical images. Fast paced and fascinating, like the city it profiles.”—Library Journal

Street Justice traces the stunning history of police brutality in New York City, and the antibrutality movements that sought to eradicate it, from just after the Civil War through the present. New York's experience with police brutality dates back to the founding of the force and has shown itself in various forms ever since: From late-nineteenth-century "clubbing"-the routine bludgeoning of citizens by patrolmen with nightsticks-to the emergence of the "third degree," made notorious by gangster movies, from the violent mass-action policing of political dissidents during periods of social unrest, such as the 1930s and 1960s, to the tumultuous days following September 11. Yet throughout this varied history, the victims of police violence have remained remarkably similar: they have been predominantly poor and working class, and more often than not they have been minorities. Johnson compellingly argues that the culture of policing will only be changed when enough sustained political pressure and farsighted thinking about law enforcement is brought to bear on the problem.

For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay. Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration. Woven throughout the images is Vergara’s own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.