A pioneering study of the aesthetic function of grotesque imagery in Roman love elegy.

Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.

The passions were a topic of widespread interest in antiquity, as has been shown by the recent interest and research in the emotions in Greek and Roman literature. Until now, however, there has been very little focus on love elegy or its relation to contemporary philosophical positions. Yet Roman love elegy depends crucially upon the passions: without love, anger, jealousy, pity, and fear, elegy could not exist at all. The Elegiac Passion provides the first investigation of the ancient representation of jealousy in its Roman context, as well as its significance for Roman love elegy itself. The poems of Propertius, Tibullus, and Ovid are built upon the presumed existence of a love triangle involving poet, mistress, and rival: the very structure of elegy thus creates an ideal scenario for the arousal of jealousy. This study begins by examining the differences between the elegiac treatment of love and that of philosophy, whether Stoic or Epicurean. Ruth Caston uses the main chapters to address the depiction of jealousy in the love relationship and explores in detail the role of the senses, the role of readers--both those internal and external to the poems--, and the use of violence as a response to jealousy. Elegy provides a multi-faceted perspective on jealousy that gives us details and nuances of the experience of jealousy not found elsewhere in ancient literature. She argues that jealousy turns centrally on the question of fides. The fear of broken obligations and the consequent lack of trust are relevant not only to the love affair that forms the subject of these poems but to many other relationships represented in elegy as well. Overall, she demonstrates that jealousy is not merely the subject matter of elegy: it creates and structures elegy's various generic features. Jealousy thus provides a much more satisfying explanation for the specific character of Roman elegy than the various theories about its origins that have typically been put forward.

Offers detailed reading of the Amores, oriented toward the writer's and reader's pleasure, that reframes the discussion around elegy and identity.

This Festschrift in honour of the classical scholar Stephen Heyworth brings together eleven experts on the genre of Latin elegy. All chapters focus on the close reading of elegiac texts primarily by Ovid and Propertius.

Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).

This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field. Latin elegy is typically thought to have flourished for a brief period at Rome between c. 40 BC and the early decades of the first century AD; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and Ovid, whose works constitute the focus of this volume. Their poems and poetic collections were, however, by no means restricted to the themes of love, even if amatory concerns often surface at unexpected moments in texts that are not ostensibly concerned with love. Both poets were alive to their precursors' writings in elegiacs, and so aetiological themes and reflection on contemporary political circumstances form an integral part of their poetry. Such concerns are explored in some of the chapters on Propertius, on Ovid's Fasti and exile poetry, and also in a Renaissance elegy that looks closely to its literary heritage as it comments on the concerns of its day. Some contributions to this volume also shed new light on the typically elegiac conceit of separation, notably in amatory and exilic texts, while others look to conceptions of Roman identity and the relationship between the natural world and the cultural, political and literary spheres. All of the chapters share an interest in the close-reading of texts as the basis for drawing broader conclusions about these fascinating authors, their poetry, and their worlds.