This original guide introduces you to the basic grammar of Vulgar Latin and the Romance languages. Compare related languages to understand how nouns, verbs, pronouns, adjectives, words, phrases and sentences work throughout this language family. Challenge yourself to see commonalities among a range of Romance languages and to understand their shared history from Vulgar Latin. View examples from major Romance languages like Portuguese, French and Romanian, as well as many regional languages like Catalan, Sardinian and Romansh.Clear formatting and a thorough index allow you to identify key terms and quickly cross-reference relevant sections for more information. Romance examples are printed in bold, translations in italics and key grammar terms tackled elsewhere in the book are underlined.Extra materials include comparative grammar tables with notes, a brief tour of Vulgar Latin grammar, a chapter on the pronunciation of Romance, helpful maps and a glossary of language names. Balanced explanations and examples, a thorough index and a clear table of contents make this the ideal reference guide for students and enthusiasts of the Romance languages, Vulgar Latin/Proto-Romance or Romance linguistics.

Nowadays thousands of grammar books, textbooks, outlines, references and language guides of Spanish, Portuguese, Italian and French are published year by year. However, all of them teach these languages separately. Here you will find a comparative grammar of the four major Romance languages together based on their grammatical and lexical similarities for you, lovers of foreign languages, to learn and compare Spanish, Portuguese, Italian and French simultaneously. It is an audacious endeavor to find or create a novel way of learning to speak several languages and becoming a multilingual person. It took me over 3 years to finish the book. It consists of over 800 pages, 10 chapters covering all the grammatical aspects of these 4 languages. It includes over 1000 examples, 500 easy-to-follow charts and tables. It contains 138 geographical, historical and cultural facts about Spanish, Portuguese, Italian and French countries.Below I will discuss several reasons why I decided to write this book and why you need it.1) First of all, this book is written for readers like you who are fond of or would like to learn Spanish, Portuguese, Italian and French simultaneously or just to get an all-round knowledge of all these four Romance languages. It is designed not only for beginners who do not have an extensive knowledge of grammar, yet need a guide through the grammatical concepts of all mentioned above languages, but also intermediate and advanced students who would like to have a reference book ofseveral Romance languages at once.2) Second of all I spent many years learning these languages separately, which was a complete waste of time before I realized it. This book will hopefully save you a great deal of time and allow you to study and compare at a glance the four main Neo-Latin languages.3) Knowledge of foreign languages is fast becoming a necessary requirement for those who are involved in international business, tourism, culture and education. This book offers you four languages to learn, which will make you feel at homewherever you go, whether as a tourist or businessman.4) Learning several languages simultaneously or one by one will train and strengthen your memory and can help stave off such terrible diseases as Alzheimer's.5) If you have never studied several languages at once before and you like challenges, then you should definitely try it. Because it is a really entertaining and challenging task to do.In conclusion, I would like to sincerely thank you for preordering the book and your interest in it. I hope it will help youimprove your languages and become multilingual.

There are several Romance language elements that overlap themselves, in a way that makes possible, to a certain extent and exclusively dependent on one's ability to focus, practice and express, a certain degree of mutual comprehension. In writing and reading inasmuch as in oral communication, overcome, of course, a series of linguistic obstacles such as dialectal variations, accents and vocabulary (which can eventually present a daunting drawback), the reader of this book should be armed with enough knowledge to tackle the distinctive problem of intercomprehension.

A woman finds love and closure, and rediscovers herself, when she returns to her roots in the enchanting new novel from the author of The Irresistible Blueberry Bakeshop & Café. Newly jobless, newly single, and suddenly apartmentless, writer Grace Hammond has come unmoored. A grammar whiz who's brilliant at correcting other people's errors, she hasn't yet found quite the right set of rules for fixing her own mistakes. Desperate to escape the city and her trifecta of problems, Grace hits pause and retreats to her Connecticut hometown. What begins as a short visit with her parents quickly becomes a far more meaningful stay, though, as she discovers that the answers to what her future holds might be found by making peace with -- and even embracing -- the past. As Grace sets out to change her ways and come to terms, finally, with the tragedy that took her older sister's life so many years ago, she rekindles a romance with her high school sweetheart, Peter, now a famous Hollywood director who's filming a movie in town. Sparks also fly at the local bike shop, where Grace's penchant for pointing out what's wrong rattles the owner's ruggedly handsome schoolteacher son, Mitch. Torn between the promise of a glamorous life and the allure of the familiar, Grace must decide what truly matters -- and whether it's time for her to throw away the rule book and bravely follow her heart.

Different components of grammar interact in non-trivial ways. It has been under debate what the actual range of interaction is and how we can most appropriately represent this in grammatical theory. The volume provides a general overview of various topics in the linguistics of Romance languages by examining them through the interaction of grammatical components and functions as a state-of-the-art report, but at the same time as a manual of Romance languages.

Excerpt from Introduction to the Grammar of the Romance Languages Our attention is claimed by six Romance languages on account of either their grammatical peculiarities, or their literary importance; two towards the east, the Italian and the Walachian; two towards the southwest, the Spanish and the Portuguese; and two towards the northwest, the Proveneal and the French. The principal and most conspicuous source of all these languages is Latin. They were derived however, as it has already been often and legitimately maintained, not from the classical Latin of literature, but from a popular Roman language which had been used by the side of the classical. Some care has been taken to prove, from the testimonies of the ancients themselves, that a popular language of this kind was actually in existence; but the fact is so far from needing demonstration, that we should much rather have been entitled to demand evidences for a contrary hypothesis, which alone would have involved an exception to general laws. We must only be cautious not to take this form of speech for anything else than it is usually conceived to have been, that is to say, for a vulgar usage of the common language, recognisable by a comparatively slovenly pronunciation of words, by a tendency to the elimination of grammatical forms, by the use of numerous expressions which are avoided in literature, and by sundry peculiar idioms and constructions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.