The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.

Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.

Provides alphabetically-arranged biographical sketches of gospel musicians, a discography, a list of gospel music stations, and the music and lyrics of several songs.

The outrageous and often hilarious autobiography of legendary session musician and lead guitarist and singer of Toto. "...one of the most entertaining rock memoirs of recent years..." - Houston Press No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant sound of the late ‘70s and ‘80s was not punk, but a slick, polished amalgam of rock and R&B first staked out on Boz Scaggs’ Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session crew in LA, and further developed on the band’s self-titled multi-platinum debut. A string of massive hits followed for Toto while Lukather and bandmates David Paich, Jeff Porcaro, and Steve Porcaro also served as creative linchpins on some of the most successful and influential records of the era, including Michael Jackson’s Thriller. In this incisive memoir, Lukather tells the complete Toto story. He also lifts the lid on what went on behind the closed studio doors, shedding light on the unique creative processes of some of the most legendary names in music: from Quincy Jones, Michael Jackson, Paul McCartney, Stevie Nicks, and Elton John to Miles Davis, Joni Mitchell, Bruce Springsteen, Don Henley, Roger Waters, and Aretha Franklin. Lukather’s extraordinary tale also encompasses the dark side of stardom and the American Dream. Frank, engaging, and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing.

The first true gospel music encyclopedia, Uncloudy Days explores the artists who profoundly influenced early rock 'n' roll and soul music and provided inspiration for millions of the faithful."--BOOK JACKET.