This title examines the worship of ancestral heroes in Rajasthan, India. Arguing that Rajput hero stories and songs encapsulate and express ideals of perfection and masculinity, it analyzes representations of wives and goddesses as tacit allies dispatching sacrificed heroes to heavenly paradise.

American and Indian scholars of religion, anthropology, women's studies, and psychology look at the complex relationship between the living worship of female divinities and women in India. In keeping with the multiplicity, especially of Hinduism but also Buddhism and Jainism, the anthology presents a number of sometimes conflicting views rather than a consistent account. Only authors are indexed. c. Book News Inc.

"... [T]ells a wonderful story, one much loved in northern India.... fills an important lacuna in the work on oral epic." -- Lindsey Harlan Dhola is an oral epic performed primarily by lower-caste, usually illiterate, men in the Braj region of northern India. The story of Raja Nal, "a king who does not know he is a king," this vast epic portrays a world of complex social relationships involving changing and mistaken identities, goddesses, powerful women, magicians, and humans of many different castes. In this comprehensive study and first extended English translation based on multiple oral versions, Susan Snow Wadley argues that the story explores the nature of humanity while also challenging commonplace assumptions about Hinduism, gender, and caste. She examines the relationship between oral and written texts and the influence of individual performance styles alongside a lyrical translation of the work.

Acts of martyrdom have been found in nearly all the world's major religious traditions. Though considered by devotees to be perhaps the greatest expression of religious faith, martyrdom is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disappeared and martyrs in other cultures are often dismissed as fanatics. Cormack seeks to foster a greater understanding of these acts by explaining how martyrdom has historically been viewed in the world's major religions. She provides the first sustained, cross-cultural examination of this fascinating aspect of religious life.

Drawing on ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli offers a new perspective on the practice of asceticism in India today. Her work brings to light the little known and often marginalized lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan. Examining the everyday religious worlds and practices of the mostly unlettered female sadhus, who come from a number of castes, Real Sadhus Sing to God illustrates that these women experience asceticism in relational and celebratory ways. They construct their lives as paths of singing to God, which, the author suggests, serves as the female way of being an ascetic. Examining the relationship between asceticism (sannyas) and devotion (bhakti) in contemporary contexts, the book brings together two disparate fields of study-yoga/asceticism and bhakti-using the singing of bhajans (devotional songs) as an orienting metaphor. This is the first book-length study to explore the ways in which female sadhus perform and thus create gendered views of asceticism through their singing, storytelling, and sacred text practices, which DeNapoli characterizes as their "rhetoric of renunciation."

Do religions justify and cause violence or are they more appropriately seen as forces for peace and tolerance? Featuring contributions from international experts in the field, this book explores the debate that has emerged in the context of secular modernity about whether religion is a primary cause of social division, conflict and war, or whether this is simply a distortion of the ‘true’ significance of religion and that if properly followed it promotes peace, harmony, goodwill and social cohesion. Focusing on how this debate is played out in the South Asian context, the book engages with issues relating to religion and violence in both its classical and contemporary formations. The collection is designed to look beyond the stereotypical images and idealized portrayals of the peaceful South Asian religious traditions (especially Hindu, Buddhist, Jain and Sufi), which can occlude their own violent histories and to analyze the diverse attitudes towards, and manifestations of violence within the major religious traditions of South Asia. Divided into three sections, the book also discusses globalization and the theoretical issues that inform contemporary discussions of the relationship between religion and violence.

Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the ACK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production.