The ability to deploy interdisciplinary theoretical perspectives that speak to interconnected global dimensions is critical if one’s work is to be relevant and applicable to the emerging global-scale issues of our time. The Global Turn is a guide for students and scholars across all areas of the social sciences and humanities who wish to embark on global-studies research projects. The authors demonstrate how the global can be studied from a local perspective and vice versa. They show how global processes manifest at multiple levels—transnational, regional, national, and local—all of which are interconnected and mutually constitutive. This book takes readers through the steps of thinking like a global scholar in theoretical, methodological, and practical terms, and it explains the implications of global perspectives for research design.

Argues that as China, India, Brazil and other emerging powers rise, the founding ideals of the West will not continue to spread, and that in the near future, Europe and the United States will need to fashion a new consensus with these powers on issues of legitimacy, sovereignty and governance.

An interdisciplinary group of scholars evaluates the global discourse on Early Modern European art.

Deploying interdisciplinary theoretical perspectives that speak to interconnected global dimensions is critical if one’s work is to remain relevant and applicable to the emerging global-scale issues of our time. The Global Turn is a guide for students and scholars across all areas of the social sciences and humanities who wish to embark upon global-studies research projects. The authors demonstrate how the global can be studied from a local perspective and vice versa. Global processes manifest at multiple transnational, regional, national, and local levels—interconnected dimensions that are mutually constitutive. This book walks the reader through the steps of thinking like a global scholar in theoretical, methodological, and practical terms, explaining the implications of global perspectives for research design.

How did the global turn simultaneously expand and shrink the world in which we live? To what extent did the circulation of people, commodities, and knowledge affect architecture and the city between World War Two and the fall of the Berlin Wall in 1989?00With this exploratory book of six short essays, Tom Avermaete and Michelangelo Sabatino, educators and historians based in Zurich and Chicago, seek to find some answers by analzying a series of global sites, types, and issues, ranging from airports and hotels to construction materials and labour. In six journeys across spatial, political, and social geographies, they offer architects, urbanists, historians, students, and general readers interested in the built environment a fresh set of architectural viewpoints on a phenomenon that takes as much as it gives.00Globalization is a complex phenomenon that impacts design professionals across scales and geographies: architects, designers, engineers, landscape architects, and urbanists. The authors offer a unique historical perspective with which to better understand the recent origins of contemporary globalization.00A series of unexpected perspectives on the effect of globalization in modern architecture and the city.

With globalization steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global--most notably geographic, political, aesthetic, and linguistic differences--as productive starting points for study. As the book demonstrates, approaching art history from such alternative perspectives rewrites some of the most basic narratives, from the origins of representation to the beginnings of the "modern" to the very history of globalization and its effects. Distributed for the Sterling and Francine Clark Art Institute