A biography of Rose Wilder Lane, ghostwriter of her mother's "Little House" books and a journalist.

Boo! Watch out for this rollicking, cumulative counting book for a Hallowe'en treat that's more playful than scary. Features an audio read-along! When a little ghost goes slip-sliding down the hallway, he suddenly hears ... a groan! Turns out it's only a friendly mummy, who shuffles along with the ghost, until they encounter ... a monster! As the cautious explorers continue, they find a surprise at every turn - and add another adorably ghoulish friend to their tally. But you'll never guess who is the scariest creature in the house!

Beyond their status as classic children’s stories, Laura Ingalls Wilder’s Little House books play a significant role in American culture that most people cannot begin to appreciate. Millions of children have sampled the books in school; played out the roles of Laura and Mary; or visited Wilder homesites with their parents, who may be fans themselves. Yet, as Anita Clair Fellman shows, there is even more to this magical series with its clear emotional appeal: a covert political message that made many readers comfortable with the resurgence of conservatism in the Reagan years and beyond. In Little House, Long Shadow, a leading Wilder scholar offers a fresh interpretation of the Little House books that examines how this beloved body of children’s literature found its way into many facets of our culture and consciousness—even influencing the responsiveness of Americans to particular political views. Because both Wilder and her daughter, Rose Wilder Lane, opposed the New Deal programs being implemented during the period in which they wrote, their books reflect their use of family history as an argument against the state’s protection of individuals from economic uncertainty. Their writing emphasized the isolation of the Ingalls family and the family’s resilience in the face of crises and consistently equated self-sufficiency with family acceptance, security, and warmth. Fellman argues that the popularity of these books—abetted by Lane’s overtly libertarian views—helped lay the groundwork for a negative response to big government and a positive view of political individualism, contributing to the acceptance of contemporary conservatism while perpetuating a mythic West. Beyond tracing the emergence of this influence in the relationship between Wilder and her daughter, Fellman explores the continuing presence of the books—and their message—in modern cultural institutions from classrooms to tourism, newspaper editorials to Internet message boards. Little House, Long Shadow shows how ostensibly apolitical artifacts of popular culture can help explain shifts in political assumptions. It is a pioneering look at the dissemination of books in our culture that expands the discussion of recent political transformations—and suggests that sources other than political rhetoric have contributed to Americans’ renewed appreciation of individualist ideals.

The third book in Laura Ingalls Wilder's treasured Little House series—now available as an ebook! This digital version features Garth Williams's classic illustrations, which appear in vibrant full color on a full-color device and in rich black-and-white on all other devices. The adventures continue for Laura Ingalls and her family as they leave their little house in the Big Woods of Wisconsin and set out for the big skies of the Kansas Territory. They travel for many days in their covered wagon until they find the best spot to build their house. Soon they are planting and plowing, hunting wild ducks and turkeys, and gathering grass for their cows. Just when they begin to feel settled, they are caught in the middle of a dangerous conflict. The nine Little House books are inspired by Laura's own childhood and have been cherished by generations of readers as both a unique glimpse into America's frontier history and as heartwarming, unforgettable stories.

Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom.

A pioneer pilgrimage, a tribute to Laura Ingalls Wilder, and a hilarious account of butter-churning obsession will make this a sure favorite.

When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost. Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot. He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help cheer him up.) He feels sad and left out when his friends are zooming around and he can't keep up. But one Halloween, everything changes. The little ghost who was a quilt has an experience that no other ghost could have, an experience that only happens because he's a quilt . . . and he realizes that it's OK to be different.