Cosmology, the study of the universe, arouses a great deal of public interest, with serious articles both in the scientific press and in major newspapers, with many of the theories and concepts (e.g. the 'big bang' and 'black holes') discussed, often in great depth.Accordingly the book is divided into three parts:Part 1 is readable (and understandable) by anyone with a nodding acquaintance with the basic language of cosmology: events, lights paths, galaxies, black holes and so on. It covers the whole story of the book in a way as untechnical as possible given the scope of the topics covered.Part 2 covers the same ground again but with enough technical details to satisfy a reader with basic knowledge of mathematics and/or physics.Part 3 consists of appendices which are referred to in the other parts and which also contain the highly technical material omitted from Section 2.

INSTANT NEW YORK TIMES BESTSELLER “Most appealing... technical accuracy and lightness of tone... Impeccable.”—Wall Street Journal “A porthole into another world.”—Scientific American “Brings science dissemination to a new level.”—Science The most trusted explainer of the most mind-boggling concepts pulls back the veil of mystery that has too long cloaked the most valuable building blocks of modern science. Sean Carroll, with his genius for making complex notions entertaining, presents in his uniquely lucid voice the fundamental ideas informing the modern physics of reality. Physics offers deep insights into the workings of the universe but those insights come in the form of equations that often look like gobbledygook. Sean Carroll shows that they are really like meaningful poems that can help us fly over sierras to discover a miraculous multidimensional landscape alive with radiant giants, warped space-time, and bewilderingly powerful forces. High school calculus is itself a centuries-old marvel as worthy of our gaze as the Mona Lisa. And it may come as a surprise the extent to which all our most cutting-edge ideas about black holes are built on the math calculus enables. No one else could so smoothly guide readers toward grasping the very equation Einstein used to describe his theory of general relativity. In the tradition of the legendary Richard Feynman lectures presented sixty years ago, this book is an inspiring, dazzling introduction to a way of seeing that will resonate across cultural and generational boundaries for many years to come.

The content of Geometry with an Introduction to Cosmic Topology is motivated by questions that have ignited the imagination of stargazers since antiquity. What is the shape of the universe? Does the universe have and edge? Is it infinitely big? Dr. Hitchman aims to clarify this fascinating area of mathematics. This non-Euclidean geometry text is organized intothree natural parts. Chapter 1 provides an overview including a brief history of Geometry, Surfaces, and reasons to study Non-Euclidean Geometry. Chapters 2-7 contain the core mathematical content of the text, following the ErlangenProgram, which develops geometry in terms of a space and a group of transformations on that space. Finally chapters 1 and 8 introduce (chapter 1) and explore (chapter 8) the topic of cosmic topology through the geometry learned in the preceding chapters.

The leading mind behind the mathematics of string theory discusses how geometry explains the universe we see. Illustrations.

A fascinating and inspirational look at the vital link between the hidden geometrical order of the universe, geometry in nature, and the geometry of the man-made world. The Da Vinci Code has awakened the public to the powerful and very ancient idea that religious truths and mathematical principles are intimately intertwined. Sacred Geometry offers an accessible way of understanding how that connection is revealed in nature and the arts. Over the centuries, temple builders have relied on magic numbers to shape sacred spaces, astronomers have used geometry to calculate holy seasons, and philosophers have observed the harmony of the universe in the numerical properties of music. By showing how the discoveries of mathematics are manifested over and over again in biology and physics, and how they have inspired the greatest works of art, this illuminating study reveals the universal principles that link us to the infinite.

The objective of the present book of essays is to convey to the intelligent nonmathematician something of the nature, development, and use of mathe matical concepts, particularly those that have found application in current scientific research. The idea of assembling such a volume goes back at least to 1974, when it was discussed by the then-newly-formed Joint Projects Committee for Mathematics (JPCM) of the American Mathematical Soci ety, the Mathematical Association of America, and the Society for Indus trial and Applied Mathematics. Currently, the nine members of the JPCM are Saunders Mac Lane (Chairman) of the University of Chicago, Frederick J. Almgren, Jr. of Princeton University, Richard D. Anderson of Louisiana State University, George E. Carrier of Harvard University, Hirsh G. Cohen ofthe International Business Machines Corporation, Richard C. DiPrima of Rensselaer Polytechnic Institute, Robion C. Kirby of the University of California at Berkeley, William H. Kruskal of the University of Chicago, and George D. Mostow of Yale University. The JPCM decided to make production of this volume its first major proj ect and requested the Conference Board of the Mathematical Sciences (CBMS), of which its three sponsoring societies are all member organiza tions, to approach the National Science Foundation on its behalffor support of the undertaking. A proposal submitted by the C BMS in December 1974 and in revised form in July 1975 was granted by the Foundation in May 1976, and work on assembling the volume got under way.

Discover how mathematical sequences abound in our natural world in this definitive exploration of the geography of the cosmos You need not be a philosopher or a botanist, and certainly not a mathematician, to enjoy the bounty of the world around us. But is there some sort of order, a pattern, to the things that we see in the sky, on the ground, at the beach? In A Beginner's Guide to Constructing the Universe, Michael Schneider, an education writer and computer consultant, combines science, philosophy, art, and common sense to reaffirm what the ancients observed: that a consistent language of geometric design underpins every level of the universe, from atoms to galaxies, cucumbers to cathedrals. Schneider also discusses numerical and geometric symbolism through the ages, and concepts such as periodic renewal and resonance. This book is an education in the world and everything we can't see within it. Contains numerous b&w photos and illustrations.