The triptych is reproduced here for the first time complete & in life-size detail.

Offers more than one hundred recipes using fruits, nuts, grains, vegetables, and seeds and discusses vegetarianism and nutrition

Hieronymus Bosch's Garden of Earthly Delights takes a special place in European art history, partly because of the special late-medieval imagery. The meaning of the painting, however, differs according to every expert. After extensive research, Reindert

Now available in a new edition, this book explores Hieronymus Bosch’s masterpiece Garden of Earthly Delights. Few paintings inspire the kind of intense study and speculation as Garden of Earthly Delights, the world-famous triptych by Netherlandish master Hieronymus Bosch. The painting has been interpreted as a heretical masterpiece, an opulent illustration of the Creation, and a premonition of the end of the world. In this book, renowned art historian Hans Belting offers a radical reinterpretation of the work, which he sees not as apocalyptic but utopian, portraying how the world would exist had the Fall not happened. Taking readers through each panel, Belting discusses various schools of thought and explores Bosch’s life and times. This fascinating study is an important contribution to the literature and theory surrounding one of the world’s most enigmatic artists.

A new and exciting interpretation of Bosch's masterpiece, repositioning the triptych as a history of humanity and the natural world Hieronymus Bosch's (c. 1450-1516) Garden of Earthly Delights has elicited a sense of wonder for centuries. Over ten feet long and seven feet tall, it demands that we step back to take it in, while its surface, intricately covered with fantastical creatures in dazzling detail, draws us closer. In this highly original reassessment, Margaret D. Carroll reads the Garden as a speculation about the origin of the cosmos, the life-history of earth, and the transformation of humankind from the first age of world history to the last. Upending traditional interpretations of the painting as a moralizing depiction of God's wrath, human sinfulness, and demonic agency, Carroll argues that it represents Bosch's exploration of progressive changes in the human condition and the natural world. Extensively researched and beautifully illustrated, this groundbreaking secular analysis draws on new findings about Bosch's idiosyncratic painting technique, his curiosity about natural history, his connections to the Burgundian court, and his experience of contemporary politics. The book offers fresh insights into the artist and his most beloved and elusive painting.

YOU ARE NOW LEAVING THE AGE OF AQUARIUS PLEASE LOWER YOUR SEAT WHEN RISING FROM YOUR HEAD. It was something to do with the cycles of history. The way great civilizations rise and fall. Golden ages and dark ages. Things of that nature. Few people noticed at first. The changes. They were subtle to begin with. Like when the Leader of the Opposition challenged the PM to step outside and settle things man to man. And the PM agreed. Or the way the baked ham rose up against Dave while he was standing in the check-out queue at Budgens. Small things. But they just kept getting bigger. And by the time everyone realized that something very strange was going on, it was all too late. The Earth had left behind the age of science and reason and moved once more into a time of myth. A time of legend and heroes. Of romance and wizardry and wonder. It was a time to take the mother of all giant leaps and enter - THE GARDEN OF UNEARTHLY DELIGHTS