The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine. In this latest one-volume entry in The Wes Anderson Collection series—the only book to take readers behind the scenes of The French Dispatch—everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.

Kim left for a vacation in Paris with the singular hope that she would not pass out on the banks of the Seine from a migraine headache. This fear emphasized the fact that even during the best times of life—like a trip to Paris—we need God by our side. In this series of devotions, the reader travels through Paris with the author on her vacation and her journey of faith. Six days are spent exploring some of the city’s lesser known sites in anticipation of meeting up with her daughter for another three days of sightseeing. Together reader and author become familiar with the fascinating history and culture of the city of Paris. Certain moments stand out above all others from the vacation. They are more intense, or more amusing, sometimes more embarrassing, or even more fearful. Kim has written about these moments, developed them around the sights and history of Paris, wrapped them in Scripture turned them into The French Collection.

The French Riviera of the 1920s and early '30s was a haven for artists and writers from the far reaches of the world. This book revitalizes the now-legendary tale of personalities such as Scott and Zelda Fitzgerald, Picasso, Picabia, Cocteau, and Gerald and Sara Murphy as they are caught between a desire for creation, the quest for happiness, and the looming darkness of World War II. Extraordinary images taken from personal archives reanimate the lifestyles and artwork of some of the most influential artists of the twentiety century.

A brand new three-in-one Poirot omnibus, featuring the world-renowned detectiveâe(tm)s adventures in France. Includes Murder on the Links, Mystery of The Blue Train and Death in The Clouds. It seems Hercule Poirot can never escape murder. Crimes, motives and killers followed him across the Orient and now they have found him again âe" but this time much closer to homeâe¦ MURDER ON THE LINKS An urgent cry for help brings Poirot to France. But he arrives too late to save his client, whose brutally stabbed body now lies face downwards in a shallow grave on a golf course. But whay is the dead man wearing his sonâe(tm)s overcoat? And who was the impassioned love-letter in the pocket for? Before Poirot can answer these questions, the case is turned upside down by the discovery of a second, identically murdered corpseâe¦ THE MYSTERY OF THE BLUE TRAIN When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again âe" for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her priceless rubies are missing. The prime suspect is Ruthâe(tm)s estranged husband, Derek. Yet Poirot is not convinced, so he stages an eerie re-enactment of the journey, complete with the murdererâe¦ DEATH IN THE CLOUDS From seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead, in seat No.13, sat a Countess with poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realise was that behind him, in seat No.2, sat the slumped, lifeless body of a woman.

A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.