Color illustrations accompany quotations from twenty-four Shakespearean dramas about twenty-seven flowers. Explains what each flower meant in Elizabethan times and Shakespeare's particular use of it in his plays.

A captivating, beautifully illustrated, one-of-a-kind color compendium of the flowers, fruits, herbs, trees, seeds, and grasses cited in the works of the world’s greatest playwright, William Shakespeare, accompanied by their companion quotes from all of his plays and poems. With a foreword by Dame Helen Mirren—the first foreword she has ever contributed. In this striking compilation, Shakespeare historian Gerit Quealy and respected Japanese artist Sumié Hasegawa combine their knowledge and skill in this first and only book that examines every plant that appears in the works of Shakespeare. Botanical Shakespeare opens with a brief look at the Bard’s relationship to the plants mentioned in his works—a diversity that illuminates his knowledge of the science of botany, as well as the colloquy, revealing his unmatched skill for creating metaphorical connections and interweaving substantive philosophy. At the heart of the book are "portraits" of the over 170 flowers, fruits, grains, grasses, trees, herbs, seeds and vegetables that Shakespeare mentions in his plays and poems. Botanical Shakespeare features a gorgeous color illustration of each, giving a "face" to the name, alongside the specific text in which it appears and the character(s) who utter the lines in which it is mentioned. This fascinating visual compendium also includes a dictionary describing each plant—such as Eglantine, a wild rose with a slight prickle, cherished for its singular scent, superior to any other rose; and the difference between apples and apple-john—along with indices listing the botanical by play/poem, by character, and genus for easy reference, ideal for gardeners and thoughtful birthday gift-giving. This breathtaking, incomparable collection of exquisite artwork and companion quotes offers unique depth and insight into Shakespeare and his timeless work through the unusual perspective of the plants themselves.

This embroidered border was inspired by the painted border of a letter written by Lady Anne Clifford to her father in 1598 the time of Elizabeth I and Shakespeare. Worked on ivory silk satin, in stumpwork and surface embroidery, this design features fourteen assorted flowers and fruits popular at the time, including the Apothecary rose, Sweet briar and Heartsease, Barberries, Bellflower, Borage and Periwinkle, Cornflower, Gillyflower and Knapweed, and Grapes, Plums, Redcurrants and Strawberries. As in the original letter, the panel is outlined with pairs of fine red lines these have been worked in back stitch. This border may be used to surround a mirror, or to enclose a special photograph, a monogram, a precious memento, or perhaps a tiny stumpwork figure.

When Falstaff calls upon the sky to rain potatoes in The Merry Wives of Windsor, he highlights the belief that the exotic vegetable, recently introduced to England from the Americas, was an aphrodisiac. In Romeo and Juliet, Lady Capulet calls for quinces to make pies for the marriage feast, knowing that the fragrant fruit was connected with weddings and fertility. Shakespeare's contemporaries would have been familiar with such ripe symbolism in part due to herbals, tomes filled with detailed botanical descriptions consulted to deepen knowledge of the plants of the day. A Shakespearean Botanical follows in the tradition of the medieval and Renaissance herbal, touring the Bard's remarkable knowledge of the fruits, vegetables, herbs, and flowers of Tudor and Jacobean England through fifty quotations from his plays and verse poems. Each of the entries is beautifully illustrated with hand-colored renderings from the work of Shakespeare's contemporary, herbalist John Gerard, making an appropriate pairing with his writing, along with a brief text setting the quotation within the context of the medicine, cooking, and gardening of the time. The book's many beautifully reproduced images are a pleasure to look at, and Margaret Willes's well-chosen quotations and expert knowledge of Shakespeare's England provide readers with a fascinating insight into daily life. The book will make an inspiring addition to the Shakespeare lover's bookshelf, as well as capitvate anyone with a passion for plants or botanical art.

Reprint of the original, first published in 1882.