In this study, the author examines the gift-giving and related social activities that pervade daily life in China, focusing on routine activities.

A darkly compelling fantasy about a world in which each person has a magical, dangerous gift.

An elaborate and pervasive set of practices, called guanxi, underlies everyday social relationships in contemporary China. Obtaining and changing job assignments, buying certain foods and consumer items, getting into good hospitals, buying train tickets, obtaining housing, even doing business—all such tasks call for the skillful and strategic giving of gifts and cultivating of obligation, indebtedness, and reciprocity. Mayfair Mei-hui Yang's close scrutiny of this phenomenon serves as a window to view facets of a much broader and more complex cultural, historical, and political formation. Using rich and varied ethnographic examples of guanxi stemming from her fieldwork in China in the 1980s and 1990s, the author shows how this "gift economy" operates in the larger context of the socialist state redistributive economy.

For seven years in the 1970s, the author lived in a village in northeast China as an ordinary farmer. In 1989, he returned to the village as an anthropologist to begin the unparalleled span of eleven years’ fieldwork that has resulted in this book—a comprehensive, vivid, and nuanced account of family change and the transformation of private life in rural China from 1949 to 1999. The author’s focus on the personal and the emotional sets this book apart from most studies of the Chinese family. Yan explores private lives to examine areas of family life that have been largely overlooked, such as emotion, desire, intimacy, privacy, conjugality, and individuality. He concludes that the past five decades have witnessed a dual transformation of private life: the rise of the private family, within which the private lives of individual women and men are thriving.

Starting with the premise that the work of art is a gift and not a commodity, this revolutionary book ranges across anthropology, literature, economics, and psychology to show how the 'commerce of the creative spirit' functions in the lives of artists and in culture as a whole.

In Gift and Giver, leading New Testament scholar Craig Keener takes a probing look at the various evangelical understandings of the role of the Holy Spirit in the church. He explores topics such as spiritual gifts, the fruit of the Spirit, the Spirit's power for evangelism, and hearing God's voice. His desire is for Christians to "work for consensus, or at least for unity in God's work despite our differences on secondary matters." Employing a helpful narrative approach and an ample number of stories, Keener enters into constructive dialogue with Pentecostals, moderates, and cessationists, all the while attempting to learn from each viewpoint. He seeks to bridge the gap between cessationists and Pentecostals/charismatics by urging all Christians to seek the Holy Spirit's empowerment. His irenic approach to this controversial issue has been endorsed by charismatics and non-charismatics alike. Sure to provoke helpful dialogue on a topic that has caused unfortunate divisions within the church, Gift and Giver will be a valuable addition to college and seminary courses on pneumatology. It will also be helpful to lay readers interested in a balanced discussion of spiritual gifts. This repackaged edition includes an updated preface and a substantive new afterword.

For a thousand years across the length and breadth of China and beyond, people have burned paper replicas of valuable things—most often money—for the spirits of deceased family members, ancestors, and myriads of demons and divinities. Although frequently denigrated as wasteful and vulgar and at times prohibited by governing elites, today this venerable custom is as popular as ever. Burning Money explores the cultural logic of this common practice while addressing larger anthropological questions concerning the nature of value. The heart of the work integrates Chinese and Western thought and analytics to develop a theoretical framework that the author calls a “materialist aesthetics.” This includes consideration of how the burning of paper money meshes with other customs in China and around the world. The work examines the custom in contemporary everyday life, its origins in folklore and history, as well as its role in common rituals, in the social formations of dynastic and modern times, and as a “sacrifice” in the act of consecrating the paper money before burning it. Here the author suggests a great divide between the modern means of cultural reproduction through ideology and reification, with its emphasis on nature and realism, and previous pre-capitalist means through ritual and mystification, with its emphasis on authenticity. The final chapters consider how the burning money custom has survived its encounter with the modern global system and internet technology. Innovative and original in its interpretation of a common ritual in Chinese popular religion, Burning Money will be welcomed by scholars and students of Chinese religion as well as comparative religion specialists and anthropologists interested in contemporary social theory.