In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

Most of us are familiar with the idea of a werewolf—that someone can change, either deliberately or unwillingly, into a ravenous creature—but is there some justification for such a belief? And if so, how is it achieved—through magical potions or ointments or simply by the light of the full moon? Or is the whole thing simply a form of delusion, the product of a disturbed mind? In Werewolves, author Dr. Bob Curran examines the deep psychological perceptions about the linkage of man with the natural, bestial world. Do the roots of such a belief lie in the supernatural world, or are there other explanations? How has the discovery of feral children, living in the wild, shaped our ideas of human-beasts? And what is the future of such beliefs? The book considers genetically-based speculations regarding the possible fusion of human and animal genes in order to alleviate some human diseases and suffering. Is the idea of man into beast really so far fetched? Werewolves is an essential reference book which looks, in depth, at a fascinating subject. One word of warning though: it must never be read under the baleful rays of a full moon. You have been warned!

WILDLY INDEPENDENT, SHE’S NOT ONE FOR PACK MENTALITY. On the outside, Sophie Garou is living every woman’s dream: she has beauty, brains, and a big-time position in Austin’s most respected accounting firm (not to mention a very sexy, very successful new boyfriend). But there’s one Sophie would rather keep under wraps: she is a werewolf. Sophie’s life gets a little more hairy when her long-estranged father, Luc, arrives in the Live Music Capital to attend the werewolves’ annual Howl and reconnect with his daughter. But Luc’s plans fall apart after he’s accused of murder and arrested by his archrival, Wolfgang, leader of the Houston pack (and one notoriously dirty dog). Wolfgang drools at the thought of Luc’s impending execution, but Sophie won’t let her father die without a fight. Determined to prove his innocence, she and her friends set out to find the real killer. Along the way, Sophie must deal with taboo attractions, Machiavellian intrigues, sinister agendas, and hair-raising betrayals. From the Paperback edition.

Goosebumps now on Disney+! There is something weird happening in Fever Swamp. Something really horrible.It started with the strange howling at night. Then there was the rabbit, torn to shreds. Everyone thinks Grady's new dog is responsible. After all, he looks just like a wolf. And he seems a little on the wild side.But Grady knows his dog is just a regular old dog. And most dogs don't howl at the moon. Or disappear at midnight. Or change into terrifying creatures when the moon is full.Or do they?

Throughout history, from at least as far back as the Epic of Gilgamesh, mankind has shown a fascination with physical transformation--especially that of humans into animals. Tales of such transformations appear in every culture across the course of history. They have been featured in the Western world in the work of such authors as Ovid, Petronius, Marie de France, Saint Augustine, Jack Williamson, Charles de Lint, Charaline Harris, Terry Pratchett, and J. K. Rowling. This book approaches werewolves as representations of a proposed shape-shifter archetype, examining, with reference to earlier sources, how and why the archetype has been employed in modern literature. Although the archetype is in a state of flux by its very definition, many common threads are linked throughout the literary landscape even as modern authors add, modify, and reinvent characteristics and meanings. This is especially true in the work of such authors examined in this book, many of whom have struck a chord with a wide range of readers and non-readers around the world. They seem to have tapped into something that affects their audiences on a subconscious level.

This early work by H. H. Munro was originally published in 1910 and we are now republishing it with a brand new introductory biography. 'Gabriel-Ernest' is a short story about a were-wolf named Gabriel and his terrible deed. Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical ‘Alice in Westminster’ political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, ‘Saki’, Munro is now considered a master of the short story, with tales such as ‘The Open Window’ regarded as examples of the form at its finest.

"This is the story of boarding school student Raul, who waits for sunset--and the mysterious, marvelous phenomenon that allows him to go home."--