The Entries of the Black Sails is a journey of seven, young lost souls that delve into the abyss of lost memories, mystery, the supernatural and purpose. This is a tale of the seas' greatest secrets and heroes' centuries lost. The waves remember the heaviness of their hearts, and they rest in the shade of the clouds that cry. Journey along as the Hyungetta take you on their adventure under the covering of their black sails.

"[A] thorough and comprehensive study of this tragic, almost forgotten episode of American history." —History "What Sherman did in Georgia and Sheridan in the Valley pales in comparison. This study truly shows the horrible cost inherent in any civil war." —Civil War Courier "[A] well written and compelling account of an aspect of the Civil War which has not received sufficient attention." —Southern Historian "Compelling . . ." —Publishers Weekly "[A] fast-paced . . .absorbing discourse . . . Black Flag is a highly recommended book that transports the reader to the towns and dusty highways of Kansas and Missouri during the Civil War." —Kansas History From 1861 to 1865, the region along the Missouri-Kansas border was the scene of unbelievable death and destruction. Thousands died, millions of dollars of property was lost, entire populations were violently uprooted. It was here also that some of the greatest atrocities in American history occurred. Yet in the great national tragedy of the Civil War, this savage warfare has seemed a minor episode. Drawing from a wide array of contemporary documents—including diaries, letters, and first-hand newspaper accounts—Thomas Goodrich presents a hair-raising report of life in this merciless guerrilla war. Filled with dramatic detail, Black Flag reveals war at its very worst, told in the words of the participants themselves. Bushwhackers and Jayhawkers, soldiers and civilians, scouts, spies, runaway slaves, the generals and the guerrillas—all step forward to tell of their terrifying ordeals. From the shocking, sensational massacres at Lawrence, Baxter Springs, and Centralia to the silent terror of a woman at home alone in the Aburnt district, Black Flag is a horrifying day-by-day account of life, death and war, told with unforgettable immediacy.

Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs.

From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin's Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of 'ancient' video games, as well as the challenges and rewards of this new and exciting field.

Reprint of the original, first published in 1881.

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada