The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.

As a youth, Shorty McAdoo participated in a massacre of Indians. Fifty years later, still suffering from guilt, he is approached by a filmmaker to tell his story. A chance to make amends--or get exploited.

From the national bestselling author of The Last Crossing, a story that’s “by turns a western, a critique of Hollywood, and a novel of ideas” (The New York Times Book Review). In 1920s Hollywood, elusive producer Damon Ira Chance is obsessed with making movies rooted in American history and experience. So after discovering that small-time actor Shorty McAdoo is a real-life cowboy—and is even rumored to have played a role in the Cypress Hills Massacre—Chance commissions ambitious young screenwriter Harry Vincent to find Shorty and retell his story. But as Harry digs deeper into Shorty’s life, he uncovers a surprising tale of survival, power, greed, and the seduction of dreams . . . all with an ending that no one is prepared for. “A wonderful writer . . . The Englishman’s Boy is a great accomplishment.” —Richard Ford “An epic tale that brings together the American West before the turn of the century with the Hollywood of the 1920s.” —Los Angeles Times “Fascinating . . . Vanderhaeghe seamlessly alternates two interconnected stories. . . . Masterful storytelling.” —Entertainment Weekly “A compelling yarn that delivers provocative intellectual content about the ways our tendency to mythologize history can prevent us from learning its lessons.” —San Francisco Chronicle

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

A Globe and Mail Best Book of the Year: “Part Western, part historical epic, part romantic melodrama and part crime novel” (Montreal Gazette). Son of a Canadian lumber baron, Wesley Case is a former soldier who sets out into the untamed borderlands between Canada and the United States to escape a dark secret from his past. He settles in Montana, where he hopes to buy a cattle ranch, and where he begins work as a liaison between the American and Canadian militaries in an effort to contain the Native Americans’ unresolved anger in the wake of the Civil War. Amidst the brutal violence that erupts between the Sioux warriors and US forces, Case’s plan for a quiet ranch life is further compromised by an unexpected dilemma: he falls in love with the beautiful, outspoken, and recently widowed Ada Tarr. It’s a budding romance that soon inflames the jealousy of Ada’s quiet and deeply disturbed admirer—a tension that will explode just as the American government unleashes its final assault on the Indians. Following The Englishman’s Boy and The Last Crossing, this is part of the acclaimed trilogy by an author who “is often compared to Larry McMurtry, and rightfully so” (Booklist). “A love story, a thriller, a Conradian meditation on courage and manhood, and a thoughtful examination of the origins of Canada’s tangled relationship with its big southern neighbor . . . An epic that matches its grand ambitions.” —Winnipeg Free Press “One of North America’s best writers.” —Annie Proulx, New York Times–bestselling author of Barkskins

These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.

The #1 New York Times Bestseller One-half of the celebrated Men in Blazers duo, longtime culture and soccer commentator Roger Bennett traces the origins of his love affair with America, and how he went from a depraved, pimply faced Jewish boy in 1980’s Liverpool to become the quintessential Englishman in New York. A memoir for fans of Jon Ronson and Chuck Klosterman, but with Roger Bennett’s signature pop culture flair and humor. Being a teenager isn’t easy, no matter where in the world you live or how much it does or doesn’t rain in your hometown. As an outsider—a private-schooled Jewish kid in working-class, heavily Catholic Liverpool—Roger Bennett wasn’t winning any popularity contests. But there was one idea, or ideal, that burned bright in Roger’s heart. That was America— with its sunny skies, beautiful women, and cool kids with flipped collars who ate at McDonald’s. When he embraced American popular culture, the dull gray world he lived in turned to neon teal—a color which had not even been invented in England yet. Introduced first through the gateway drug of The Love Boat, then to Rolling Stone, the NFL, John Hughes movies, Run-DMC, and Tracy Chapman, Roger embraced everything that would capture the imagination of a teenager growing up Stateside. When he made a real, in-the-flesh American friend who invited him over for the summer, he got to visit the promised land. A month in Chicago, and a life-changing night spent in the company of the Chicago Bears, was the first hit of freedom, of independence, of the Roger Bennett he knew he could be. (Re)Born in the USA captures the universality of growing pains, growing up, and growing out of where you come from. Drenched in the culture of the late ’80s and ’90s from the UK and the USA, and the heartfelt, hilarious sense of humor that has made Roger Bennett so beloved by his listeners, here is both a truly unique coming-of-age story and the love letter to America that the country needs right now.