George Lucas’s first Star Wars trilogy shows the influences of its era; Cold War tension is evident in its theme of rebellion against totalitarianism. Recent entries in the Star Wars saga—The Phantom Menace (1999) and Attack of the Clones (2002)—are much more concerned with evil corporations, terrorists, and the corruption of the political process. Each film is influenced by the times in which it was released, but also by cultural subtexts and by other films that had direct and indirect effects on Lucas as writer, producer, and director. This work focuses on all six Star Wars films. The first topic of this multifaceted examination is how the films use the language of colonialism (“The” Rebellion, “The” Empire) to emphasize the idea of imperialism. Next the author looks at how Asian influences—including religious undertones from Taoism and Buddhism and the works of Kurosawa and other Asian filmmakers—provide a subtext for much of the action. Next the discussion turns to the representation of people of color in the Star Wars universe, and how other ethnicities are represented overall, particularly through the literalization of the word “aliens.” These topics of discussion provide for penetrating conclusions about Lucas’s films and how they represent race, religion, and rebellion.

The author discusses how the lives of Theodore Roosevelt, Alfed T. Mahan, Henry Cabot Lodge, John Hay, and Elihu Root intersected with the growth of the American imperialism that eventually made the United States a world power.

Michael Kulikowski takes readers into the political heart of imperial Rome, beginning with the reign of Hadrian, who visited the farthest reaches of his domain and created stable frontiers, to the decades after Constantine the Great, who overhauled the government, introduced a new state religion, and founded a second Rome.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”

Born and bred in what is now northern Spain to a family of olive-oil magnates, Hadrian was lucky enough to benefit from the patronage of his maternal cousin, Trajan, who would later become emperor, and who named Hadrian his successor on his death in AD 117. After suppressing the Jewish revolt that had started under Trajan (memorably depicted in Josephus' Jewish War), Hadrian brought years of turbulence to an end. He presided over Rome's expansion to its greatest extent, travelling all over his empire to fortify its borders and, notably, building a wall to demarcate its northern extreme in the island of Britain (as well as another in Germany). Hadrian also 'Hellenized' the cultural life of the empire, and left an extraordinary legacy, yet he remains one of the least-known of Rome's emperors. Using exhaustive research, Anthony Everitt unveils the private life and character of this most successful of emperors, in the most vivid and exciting retelling of his story to date.

For 2,000 years, Catholicism—the largest religion in the world and in the United States—has shaped global history on a scale unequaled by any other institution. But until now, Catholics interested in their faith have been hard-pressed to find an accessible, affirmative, and exciting history of the Church. Triumph is that history. Inside, you'll discover the spectacular story of the Church from Biblical times and the early days of St. Peter—the first pope—to the twilight years of John Paul II. It is a sweeping drama of Roman legions, great crusades, epic battles, toppled empires, heroic saints, and enduring faith. And, there are stormy controversies: Dark Age skullduggery, the Inquistition, the Renaissance popes, the Reformation, the Church's refusal to accept sexual liberation and contemporary allegations like those made in Hitler's Pope and Papal Sin. A brawling, colorful history full of inspiring pageantry and spirited polemic, Triumph will exhilarate, amuse, and infuriate as it extols the glories of Catholic history and the gripping stories of its greatest men and women.

One last hostile stronghold stands between the Ordeon Empire and total victory in a war which has lasted nearly a hundred years. It has taken months of preparation, but Legion Commander Max Canza is finally ready to unleash his final offensive and there is nothing his enemies can do to stop him. The future which they have envisioned for so long must become reality, no matter what must be sacrificed. Those few soldiers of the Vehlan Union who manage to survive the imperial attack and escape into space must now confront the fact they are all that is left. The nation they swore to defend is gone, but Colonel Leon Tyquese knows that its cause based in the belief of liberty for all people must not be allowed to die. He galvanizes his soldiers into continuing the fight and will not rest until their people are free once more.The Vehlans will recruit some unlikely allies and begin to rebuild a fighting force while the Ordonians consolidate their power and prepare for future expansion. One war has ended, but the fight continues as long as people remain who believe in the cause.