Following her acclaimed debut, The Mineral Palace, Heidi Julavits presents a quirky, compelling novel about two sisters, a bizarre event, and the elusive nature of truth—a New York Times Notable Book. Does Alice really hate her sister, or is that love? Was she really enrolled in grad school, or was that an elaborate hoax? Is this really a hijacking, or is it merely the effect of living backwards? “Heidi Julavits—no stranger to edgy, dark topics—takes liberties with conventional notions of hijacking and hostages, weaving humor in a zingy and brainy spectrum...If you can take successive shots of wit with gulps of moral inquisition, then this fine book is for you.”—Milwaukee Journal Sentinel

What if it is death that teaches us how to truly live? Keeping the end in mind shapes how we live our lives in the here and now. Living life backward means taking the one thing in our future that is certain—death—and letting that inform our journey before we get there. Looking to the book of Ecclesiastes for wisdom, Living Life Backward was written to shake up our expectations and priorities for what it means to live "the good life." Considering the reality of death helps us pay attention to our limitations as human beings and receive life as a wondrous gift from God—freeing us to live wisely, generously, and faithfully for God's glory and the good of his world.

THE STORY: Everyone is familiar with Alice's antic adventures, and they are all here--but with an arresting difference. From the presumed innocence of the original is drawn a caustic and giddy revelation of the human psyche and the dark, unsettling

Parallel worlds… time-travel… life-after-death. The Effect cuts through the whole caboodle with a razor-sharp edge, ripping up distinctions between science and the spiritual with page-turning clarity. If you thought mysticism was only for the devout or gullible, or found physics unfathomable, buckle up your seat belt and hold tight. Linda Hoy’s journey careers through quantum mechanics, high-energy physics and ancient wisdom with turbo-charged vigour. Can we predict the future? What happens when we die? Does life have a purpose? Does God exist? The Effect uses twenty-first-century science to validate what mystics and spiritual leaders have been telling us for centuries. It introduces us to groundmuts and dimension-hopping goldfish. It examines the increasingly-common phenomenon of near death experience. It turns what we think of as reality on its head. It makes us cry and laugh out loud. Prepare to be amazed. Best-selling children’s author, Linda Hoy cuts to the quick with her Quaker honesty and Yorkshire humour. With a penchant for live rock and alternative country music, Linda lives in Sheffield. ,

Twenty-nine-year-old Jillian Cross refuses to believe that a pair of skinny jeans has led to her untimely demise. Life just isn't that cruel. But when an overly-enthusiastic attempt at squeezing herself into them leads her to fall and lose consciousness, she is faced with just that possibility. When she awakens with both a bruised ego and a bump on her head, she's not in her tiny apartment but her childhood bedroom circa 1999-the spring of her senior year in high school. Jillian knows that time travel isn't logical. But then again, neither was her decision to wear skinny jeans. As she attempts to navigate her way through the halls of Reynolds High, walking the same path and making the same choices she made years before, she knows that any change she makes can have a catastrophic effect on her future. But when she strikes up an unexpected friendship with motorcycle-riding, cigarette-smoking Luke Chambers, can she pretend to be the same shy girl she once was? At least she has her pink sparkly flask to take the edge off. One little change won't hurt, right?

The Logic of Innovation examines not merely the supposed problem of the efficacy and relevance of intellectual property, and the nature of innovation and creativity in a digital environment, but also the very circumstances of that inquiry itself. Social life has itself become a sphere of production, but how might that be understood within the cultural and structural transformation of creativity, innovation and property? Through a highly original interlocutory and therapeutic approach to the issues in play, the author addresses the concepts of innovation and the digital by means of an investigation through literature and the imagination of new scenarios for language, business and legal reform. The book undertakes a complex inquiry into innovation and property through the wonder of Alice’s journeys in Wonderland and through the Looking-glass. The author presents a new theory of familiar production to account for the kinship that has emerged in both informal and commercial modes of innovation, and foregrounds the value of use as crucial to the articulation of intellectual property within contemporary models of production and commercialization in the digital.