**NAMED ONE OF THE BEST ART BOOKS OF THE DECADE BY ARTNEWS** The first and definitive biography of the celebrated collectors Dominique and John de Menil, who became one of the greatest cultural forces of the twentieth century through groundbreaking exhibits of art, artistic scholarship, the creation of innovative galleries and museums, and work with civil rights. Dominique and John de Menil created an oasis of culture in their Philip Johnson-designed house with everyone from Marlene Dietrich and René Magritte to Andy Warhol and Jasper Johns. In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum. Now, with unprecedented access to family archives, William Middleton has written a sweeping biography of this unique couple. From their ancestors in Normandy and Alsace, to their own early years in France, and their travels in South America before settling in Houston. We see them introduced to the artists in Europe and America whose works they would collect, and we see how, by the 1960s, their collection had grown to include 17,000 paintings, sculptures, drawings, photographs, rare books, and decorative objects. And here is, as well, a vivid behind-the-scenes look at the art world of the twentieth century and the enormous influence the de Menils wielded through what they collected and built and through the causes they believed in.

Almost two decades ago a car accident thrust Rina Morrell’s life into darkness.

Double Vision from Pat Barker, a gripping novel about the effects of violence on the journalists and artists who have dedicated themselves to representing it In the aftermath of September 11, 2001, reeling from the effects of reporting from New York City, two British journalists, a writer, Stephen Sharkey, and a photographer, Ben Frobisher, part ways. Stephen, facing the almost simultaneous discovery that his wife is having an affair, returns to England shattered; he divorces and quits his job. Ben returns to his vocation. He follows the war on terror to Afghanistan and is killed. Stephen retreats to a cottage in the country to write a book about violence, and what he sees as the reporting journalist's or photographer's complicity in it; it is a book that will build in large part on Ben's writing and photography. Ben's widow, Kate, a sculptor, lives nearby, and as she and Stephen learn about each other their world speedily shrinks, in pleasing but also disturbing ways; Stephen's maid, with whom he has begun an affair, was once lovers with Kate's new studio assistant, an odd local man named Peter. As these connections become clear, Peter's strange behavior around Stephen and Kate begins to take on threatening implications. The sinister events that take place in this small town, so far from the theaters of war Stephen has retreated from, will force him to act instinctively, violently, and to face his most painful revelations about himself.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.

Hardcover, 192 pages 9.5 × 11.75 in. 24.13 × 29.845 cm. The first ever career retrospective of Los Angeles photographer George Rodriguez. Since the 1950s, Rodriguez has quietly documented multiple social worlds-in California and beyond-that have never before been displayed together, a rare mix of Hollywood and Chicano L.A., film premieres and farmworker strikes, album covers and street scenes, celebrity portraits and civil rights marches.Throughout the 1960s and 70s, Rodriguez, raised in South Los Angeles, led something of a double life as a photographer. He worked for film studios, record labels, and magazines like Tiger Beat, processing film for Hollywood photographers and shooting countless photographs of the era's biggest music and film stars, while also photographing the social movements and protests that were exploding on the streets of Los Angeles and throughout the country: the East Los Angeles Walkouts, the Chicano Moratorium, the United Farm Workers movement, the Sunset Strip riots, among others.Double Vision explores both of these worlds alongside the many other urban scenes Rodriguez has shot over the years, from L.A. gang graffiti and boxing to early hip-hop. A student of Sid Avery and a contemporary of Dennis Hopper, Rodriguez is one of the great visual documentarians of Los Angeles and of the cultural complexities of Mexican-American life.Assembled by Rodriguez himself, in conjunction with scholar and writer Josh Kun, this book will be an invaluable addition to the way we understand identity, popular culture, and civil rights in American life, and a visual biography of one of the country's most important, yet unsung, visual historians.Edited and with texts by Josh Kun Forewords by Dolores Huerta and John Densmore Designed by Brian Roettinger

The Double Vision originated in lectures delivered at Emmanuel College in the University of Toronto, the texts of which were revised and augmented.

In the second book of the action-packed Double Vision series, ordinary twelve-year-old Linc Baker must go undercover in Washington, DC, to stop a CIA mole from assassinating the president. With an unforgettably funny voice, high-stakes espionage, and real American spy history dating back to the Revolutionary War, this is the latest adventure in the Double Vision series that ALA Booklist says "fans of Alex Rider and 39 Clues will love." After the government receives a threat on the president's life from someone named Dagger, supersecret spy agency Pandora wants Linc to go to Washington, DC, to protect the first daughter, Amy, and find the dangerous double of George Washington's legendary coat, rumored to make its wearer invincible. Unfortunately for Linc, his by-the-book agent nemesis, Ben Green, is already on the case and making him look bad. With Amy's help, Linc will have to dig deep into the history of America's first spies—the Culper Ring—to beat Ben at his own game and stop Dagger before it's too late.