This is a book about the biographical afterlives of the Romantic poets and the creation of literary biography as a popular form. It focuses on the Lives of six major poets of the period: Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, published from the 1820s, by Thomas Moore, Mary Shelley, Thomas De Quincey, and others. It situates these within the context of the development of biography as a genre from the 1780s to the 1840s. Starting with Johnson, Boswell, and female collective Lives, it looks at how the market success of biography was built on its representation and publication of domestic life. In the 1820s and 30s biographers 'domesticated' Byron, Shelley, and other poets by situating them at home, opening up their (often scandalous) private lives to view, and bringing readers into intimate contact with greatness. Biography was an influential transmitter of the myth of 'the Romantic poet', as the self-creating, masculine genius, but it also posed one of the first important challenges to that myth, by revealing failures in domestic responsibility that were often seen as indicative of these writers' inattention to the needs of the reader. The Domestication of Genius is the most comprehensive account to date of the shaping of the Romantic poets by biography in the nineteenth-century. Written in a lively and accessible style, it casts new light on the literary culture of the 1830s and the transition between Romantic and Victorian conceptions of authorship. It offers a powerful re-evaluation of Romantic literary biography, of major biographers of the period, and of the posthumous reputations of the Romantic poets.

Elfenbein takes on the absorbing subject of homosexuality in British Romantic writing, showing the centrality of disreputable desires to the works of Romantic male authors--from William Beckford to Samuel Taylor Coleridge to William Blake--as well as to the writings of lesser-known but equally significant female authors of the period.

The first comprehensive study of the roots of the concept of genius in Kant's understanding of nature and his notion of the artist.

Agriculture is the lever with which humans transformed the earth over the last 10,000 years and created new forms of plant and animal species that have forever altered the face of the planet. In the last decade, significant technological and methodological advances in both molecular biology and archaeology have revolutionized the study of plant and animal domestication and are reshaping our understanding of the transition from foraging to farming, one of the major turning points in human history. This groundbreaking volume for the first time brings together leading archaeologists and biologists working on the domestication of both plants and animals to consider a wide variety of archaeological and genetic approaches to tracing the origin and dispersal of domesticates. It provides a comprehensive overview of the state of the art in this quickly changing field as well as reviews of recent findings on specific crop and livestock species in the Americas, Eurasia, and Africa. Offering a unique global perspective, it explores common challenges and potential avenues for future progress in documenting domestication.

This study controversially suggests genius is made not born by tracing the lives of famous figures.

Since the events of 9/11 the representation of Islam has increasingly come adrift from its actuality. Scholars and pundits have effectively demonised a whole faith by wilfully apportioning blame and by ignoring the differences within the Islamic movement. 'Religion and the Domestication of Dissent' examines how the classifications we use to name and negotiate our social worlds - notably 'religion' - are implicitly political. The study ranges widely from contemporary film and art to the War on Terror and will be invaluable to readers interested in the politics behind the portrayal of dissenting religious groups.