"Look out for my other adventures" A family is introduced to a litter of puppies, but one special pup stands out from the resta cute little Alaskan Husky who turned this story into a mystery.

A Parents Best Children’s Book of 2019 A warm, uplifting story about a boy, his dog, and the healing power of music marks a first-time collaboration between two former Irish Children’s Laureates, Eoin Colfer and P.J. Lynch. Patrick has been desperate for a dog of his own for as long as he can remember, and this summer, with his father away, he longs for a canine friend more than ever. Meanwhile, in his short doggy life, Oz has suffered at the hands of bad people. Somewhere out there, he believes, is an awesome boy — his boy. And maybe, when they find each other, Oz will learn to bark again. Illustrated in light charcoal by two-time Kate Greenaway Medalist P.J. Lynch, this heartwarming story by Eoin Colfer, internationally best-selling author of the Artemis Fowl series, is certain to enchant.

Fred is a dog who was picked up by the Puppy Love Shelter. After an accident, he was left with an injury on his neck that prevented him from barking like other dogs do. Despite his disability, he discovers that he has another ability that leads to him being very much needed by one man who also has a disability of his own. It's as though the two were destined to find one another. Books written by George Green include: Lenny, The Lion Who Couldn't Roar Toby, The Laughing Hyena Who Lost His Sense Of Humor Fluffy, The Cat Who Couldn't Meow Softy, The Bird Who Couldn't Fly The series is a collection of easy-to-follow, lighthearted stories that will leave young children laughing, happy and inspired. Each book also features a selection of fun facts for kids.

The Pulitzer Prize-winning reporter details “how the U.S. business press could miss the most important economic implosion of the past eighty years” (Eric Alterman, media columnist for The Nation). In this sweeping, incisive post-mortem, Dean Starkman exposes the critical shortcomings that softened coverage in the business press during the mortgage era and the years leading up to the financial collapse of 2008. He examines the deep cultural and structural shifts—some unavoidable, some self-inflicted—that eroded journalism’s appetite for its role as watchdog. The result was a deafening silence about systemic corruption in the financial industry. Tragically, this silence grew only more profound as the mortgage madness reached its terrible apogee from 2004 through 2006. Starkman frames his analysis in a broad argument about journalism itself, dividing the profession into two competing approaches—access reporting and accountability reporting—which rely on entirely different sources and produce radically different representations of reality. As Starkman explains, access journalism came to dominate business reporting in the 1990s, a process he calls “CNBCization,” and rather than examining risky, even corrupt, corporate behavior, mainstream reporters focused on profiling executives and informing investors. Starkman concludes with a critique of the digital-news ideology and corporate influence, which threaten to further undermine investigative reporting, and he shows how financial coverage, and journalism as a whole, can reclaim its bite. “Can stand as a potentially enduring case study of what went wrong and why.”—Alec Klein, national bestselling author of Aftermath “With detailed statistics, Starkman provides keen analysis of how the media failed in its mission at a crucial time for the U.S. economy.”—Booklist

"Bark, George," says George's mother, and George goes: "Meow," which definitely isn't right, because George is a dog. And so is his mother, who repeats, "Bark, George." And George goes, "Quack, quack." What's going on with George? Find out in this hilarious new picture book from Jules Feiffer.

A “superb blend of personal essays and journalistic articles” on everything from fatherhood to writing workshops to jazz musicians (Chicago Sun-Times). “At once subtle and dazzling,” these pieces—collected from such publications as Esquire, Harper’s Magazine, and GQ—serve as both a wide-ranging journey through topics like art and music and an autobiographical look into the life of one of our most acclaimed literary figures, the author of such books as Stop-Time and Body & Soul and a director of the renowned Writers’ Workshop at the University of Iowa (Publishers Weekly). “[An] interesting and well-done anthology. Conroy takes on such topics as learning to play pool, fatherhood, the value of now-disappearing small towns in instilling family values, the enthusiasms of jazz musician Wynton Marsalis, and, of course, the Writers’ Workshop.” —Library Journal “Highly enjoyable and illuminating . . . Dogs Bark is simply one of the best books published in a long, long time.” —Fort Worth Star-Telegram