~DIVAN OF HAFIZ~DIVAN OF HAFIZRevised Translation & Introduction Paul SmithHafiz was born in Shiraz, Persia (Iran) in 1320 and died there in 1392. He is considered by many of the world's great poets, writers and mystics to have been the greatest poet who ever lived. The book that he gave to the world, his Divan has been loved by millions of people of the East and West for the past 700 years and is used as an oracle even today. Hafiz was not only a unique and great poet; he was also a Perfect Master, a God-Realized soul whose wisdom and insights into the everyday and the mystical path are such that it is said one can gain spiritual advancement just by reading his book. His Divan is for all because he speaks as one who has gone through it all, from the passion of human love into the arms of the Divine. This is a completely revised one volume edition of the only modern, poetic version of Hafiz's masterpiece of 791 ghazals, masnavis, rubais and other poems/songs. The spiritual and historical and human content is here in understandable, beautiful poetry: the correct rhyme-structure has been achieved, without intruding, in readable English. In the Introduction of 70 pages his life story is told in greater detail than anywhere else; his spirituality is explored, his influence on the life, poetry and art of the East and the West, the form and function of his poetry, and the use of his book as a worldly guide and spiritual oracle. His Divan, like the I Ching, is one of the world's Great Oracles. Included are notes to most poems, glossary and selected bibliography and two indexes. First published in a limited edition in 1986 the book quickly went out of print. 542 pages.Goethe: "In his poetry Hafiz has inscribed undeniable truth indelibly... Hafiz has no peer!"Gertrude Bell: "It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit."Meher Baba: "There is no equal to Hafiz in poetry. He was a Perfect Master ... His Divan is the best book in the world because it engenders feelings which ultimately lead to illumination."Inayat Khan: "Once a person has studied Hafiz he has reached the top of the mountain, from whence he beholds the sublimity of the immanence of God."EXPERT COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'."It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all and I will lay down my head at his feet out of respect." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."I have never seen such a good translation and I would like to write a book in Farsi and introduce his Introduction to Iranians." B. Khorramshai, Academy of Philosophy, Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author of his own poems inspired by Hafiz).Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre and many others, as well as his own poetry, fiction, plays, biographies and screenplays.www.newhumanitybooksbookheaven.com

Join Hafiz and His Incomparable Love Poems If like me, you too fall in this trip, Hold the wine and cup upon your lap. We are lovers, burning our tracks, Join us if you can put up with the crap. گر همچو من افتاده ی این دام شوی ای بس که خراب باده و جام شوی ما عاشق و رند و مست وعالم سوزیم با ما منشین اگرنه بدنام شوی The Divan-e Hafiz is a treasured collection of poetry by the legendary Persian poet, Shamsuddin Mohammad Hafiz Shirazi. Known for his masterful ghazals, Hafiz's body of work includes around 500 ghazals and 42 Rubaiyees, cementing his legacy as one of the most celebrated poets in Persian literature. The Divan-e Hafiz is a staple in the homes of many Iranians, who memorize its poems and use them as proverbs and sayings. His poetry of intimate divine love has spread far and wide, with adaptations, imitations, and translations of the Divan-e Hafiz found in many languages. The translation featured in this book is by Henry Wilberforce Clarke (1840 - 1905), and it presents the ghazals in both Persian and English, making it a valuable resource for both Persian and English speakers, as well as poetry lovers of all ages. The Divan-e Hafiz is more than just a language learning resource, it is a window into the rich culture and literature of Persia. Its poems offer ample opportunities for students of the Persian language and literature to expand their abilities and deepen their understanding of the culture. It is also a perfect gift for those who appreciate Persian poetry. Published By: The Persian Learning Center www.persianbell.com

Connoisseurs of world literature need to spend some time acquainting themselves with the Divan of Hafiz, one of the foremost collections of Persian verse. Scholars agree this volume has exerted a singularly important influence on Middle Eastern culture, akin to Shakespeare's role in the sphere of Western letters.

DIWAN of HAFIZTranslation & Introduction Paul SmithThis is a completely revised one volume edition of the only modern, poetic version of Hafiz's masterpiece of 791 ghazals, masnavis, ruba'is and other poems/songs. The spiritual and historical and human content is here in understandable, beautiful poetry: the correct rhyme-structure has been achieved, without intruding, in readable English. In the Introduction of 70 pages his wonderful life story is told in greater detail than anywhere else; his spirituality is explored, his influence on the life, poetry and art of the East and the West, the form and function of his poetry, and the use of his book as a worldly guide and spiritual oracle. His Book, like the I Ching, is one of the world's Great Oracles. Included are notes to most poems, glossary and selected bibliography and two indexes. First published in a limited two-volume limited edition in 1986 the book quickly went out of print. Large Format Edition 7" x 10" 806 pages."In his poetry Hafiz inscribed undeniable truth indelibly! He has no peer!" Goethe"It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit." Gertrude Bell"Once a person has studied Hafiz he has reached the top of the mountain, from whence he beholds the sublimity of the immanence of God." Inayat Khan "Hafiz defies you to show him or put him in a condition inopportune or ignoble... He fears nothing. He sees too far; he sees throughout; such is the only man I wish to see or be." Emerson"Hafiz is highly esteemed by his countrymen as Shakespeare by us, and deserves as serious consideration." A.J. Arberry"There is no equal to Hafiz in poetry. He was a Perfect Master... His Divan is the best book in the world because it engenders feelings which ultimately lead to illumination." Meher Baba"Hafiz breathes originality in all his works ... in no other country, was ever born a genius so rare. He dwells on the degeneracy of his age, on the vanity of the world on universal charity, and on toleration and liberty of conscience." H. Wilberforce Clarke"We may state, without incurring the danger of modernization, that in these ghazals Hafiz applied quite consciously and consistently a method of revealing his hero's inner condition at which European literature first arrived only in the XX century." Michael J. ZandCOMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'."It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of English to Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in ud-din Chishti, Lalla Ded, Amir Khusrau, Baba Farid, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Hallaj, Rudaki, Yunus Emre, IraqI, Ghalib, Iqbal, Makhfi, Lalla Ded, Abu Nuwas, Ibn al-Farid and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com

The Persian Sufi poet Hafiz (1326–1390) is a towering figure in Islamic literature—and in spiritual attainment as well. Known for his profound mystical wisdom combined with a sublime sensuousness, Hafiz was the supreme master of a poetic form known as the ghazal (pronounced "guzzle"), an ode or song consisting of rhymed couplets celebrating divine love. In this selection of his poems, wine and the intoxication it brings are the image that expresses this love in all its joyful abandon, painful longing, bewilderment, and surrender. Through ninety-five free-verse renditions, we gain entry into the mystical world of Hafiz's Winehouse, with its happy minstrels, its bewitching Winebringer, and its companions in drunken longing whose hearts cry out, "More wine!" Thomas Rain Crowe brings a new dimension to our growing appreciation of Hafiz and his wise drunkard's advice to the seekers of God: In this world of illusion, take nothing other than this cup of wine; In this playhouse, don't play any games but love.

This book offers a study of West-East cross-cultural and cross-contextual literacy by investigating Goethe's relationship to the poetics of fourteenth-century Persian poet Hafiz in the West-östlicher Divan. Goethe's collection of poetry, this book argues, constitutes a turning point in the history of German poetic subjectivity. The intellectual and historical significance of the Divan is examined by considering Goethe's conception of history both in relation to Hegel's philosophy of history as well as the linear notion of progress throughout the nineteenth century. Furthermore, the book demonstrates how the rise of aesthetics and the transition from a theological to a secular-humanistic conception of history and humanity in Europe positively influenced the reception of non-European literatures at the end of the eighteenth century. Hafiz, as argued here, owes his textual presence in the Divan to a cross-cultural and cross-temporal poetic vision that has its roots in the European Enlightenment. The book also elaborates on the role translation plays in the development of poetry and poetics as exemplified in the works of Sir William Jones (1746-1794) and Josef Freiherr von Hammer-Purgstall (1774-1856), translators of Oriental poetry into English and German.