Chronicles the most essential and inspirational pieces of design created in the modern age. This book is published in association with the Design Museum, London, and is a celebration of design. Imprint.

This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.

The first major survey of the genius of 20th-century American design, presenting the best of American furniture, industrial design, and decorative objects selected by a distinguished team of art and architectural historians.

The book examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking.

"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.

An affordable, concise survey on the influential modernist designer's interiors, buildings, furniture and more, from a sawtooth ski resort to sculptural chaises longues From the onset of her career, Charlotte Perriand was a maverick who believed in good design as a force for the betterment of society. Many young designers would be devastated by a rejection from Le Corbusier's studio, but when the great architect told her they had no use for a female furniture designer, Perriand only became more determined to prove her mettle as an artist. Under Le Corbusier, and long after she left his studio, Perriand's contributions to both furniture design and architecture demonstrated a unique attention to the organic artistry of nature as well as the egalitarian possibilities of the machine age. Her leftwing populist politics motivated much of her work, from modular furniture systems to major architectural projects. This monograph explores Perriand's most famous interiors, original furniture and architectural projects, as well as her never-before-seen sketchbooks, shedding new light on her creative process and place in design history. Charlotte Perriand (1903-99) experienced the first breakthrough in her career with Le Bar sous le toit, a 1927 interior design piece that predicted the elegant minimalism and utilitarian nature of her future work. Although today she is perhaps best known for her early chaise longue designs, Perriand also created the plans for a number of major buildings across Europe and contributed interior designs to Le Corbusier's Unit d'habitation. She worked in places as diverse as Tokyo, Rio de Janeiro and London in her pursuit of accessible design.