Seminar paper from the year 2016 in the subject Didactics for the subject English - Literature, Works, grade: 2,0, RWTH Aachen University, language: English, abstract: This paper analyses the deconstruction of the superhero and its stereotypical features in "Watchmen". The paper assumes that the deconstruction serves as a way to show the dispensability of superheroes. The papers' thesis is therefore that the superheroes in "Watchmen" and their stereotypical features are dispensable and that a life without them is definitely possible and even desirable. In order to prove this thesis, the paper first presents a definition for stereotypical superheroes. Then, with the help of the definition, it analyses a few of the protagonists of "Watchmen" and their features with respect to their differences to other superheroes and their dispensability. In the conclusion, the results of the analysis will be summarized and a final statement about the dispensability of the superheroes and their superhero features is given.

It's easy to name a superhero--Superman, Batman, Thor, Spiderman, the Green Lantern, Buffy the Vampire Slayer, Rorschach, Wolverine--but it's not so easy to define what a superhero is. Buffy has superpowers, but she doesn't have a costume. Batman has a costume, but doesn't have superpowers. What is the role of power and superpower? And what are supervillains and why do we need them? In What is a Superhero?, psychologist Robin Rosenberg and comics scholar Peter Coogan explore this question from a variety of viewpoints, bringing together contributions from nineteen comic book experts--including both scholars in such fields as cultural studies, art, and psychology as well as leading comic book writers and editors. What emerges is a kaleidoscopic portrait of this most popular of pop-culture figures. Writer Jeph Loeb, for instance, sees the desire to make the world a better place as the driving force of the superhero. Jennifer K. Stuller argues that the female superhero inspires women to stand up, be strong, support others, and most important, to believe in themselves. More darkly, A. David Lewis sees the indestructible superhero as the ultimate embodiment of the American "denial of death," while writer Danny Fingeroth sees superheroes as embodying the best aspects of humankind, acting with a nobility of purpose that inspires us. Interestingly, Fingeroth also expands the definition of superhero so that it would include characters like John McClane of the Die Hard movies: "Once they dodge ridiculous quantities of machine gun bullets they're superheroes, cape or no cape." From summer blockbusters to best-selling graphic novels, the superhero is an integral part of our culture. What is a Superhero? not only illuminates this pop-culture figure, but also sheds much light on the fantasies and beliefs of the American people.

A study of one of popular culture's superstars whose enchanting mystique pervades the modern world

Deconstruction: Theory and Practice has been acclaimed as by far the most readable, concise and authoritative guide to this topic. Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida which caused this seismic shift in critical thought, as well as the work of North American critics Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom. In this third, revised edition, Norris builds on his 1991 Afterword with an entirely new Postscript, reflecting upon recent critical debate. The Postscript includes an extensive list of recommended reading, complementing what was already one of the most useful bibliographies available.

“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet. Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance. It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world. A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

The second edition of Literary Criticism by Charles E. Bressler is designed to help readers make conscious, informed, and intelligent choices concerning literary interpretation. By explaining the historical development and theoretical positions of eleven schools of criticism, author Charles Bressler reveals the richness of literary texts along with the various interpretative approaches that will lead to a fuller appreciation and understanding of such texts.

DC Comics is proud to present an all-new retrospective edition of one of the greatest graphic novels ever in WATCHMEN: THE ANNOTATED EDITION. This book examines each of the series’ twelve issues in unprecedented detail, moving page by page and panel by panel to reveal the hidden foundations of this milestone in modern storytelling. Edited with notes by Leslie S. Klinger, this new edition draws upon critical and scholastic commentary, in-depth interviews with Dave Gibbons, and previously unseen original source material. Klinger provides the reader with a unique and comprehensive view of WATCHMEN as both a singular artistic achievement and a transformative event in the history of comics as a medium. Set in a world in which history has been forever altered by the existence of superheroes, Alan Moore and Dave Gibbons’ monumental graphic novel WATCHMEN is one of the most influential comic book series of all time. Following two generations of masked crime-fighters from the end of World War II to the height of the Cold War, this compelling tale unfolds from a simple murder mystery into an epic saga of power, corruption and the ultimate meaning of humanity. More than 30 years after it was first published, Moore and Gibbons’ masterpiece continues to inspire and entertain readers around the world. Named one of Time magazine’s 100 best English-language novels of the 20th century, WATCHMEN has won countless critical accolades and honors, including the Eisner Award and the Hugo Award.