Seeking to characterise the radical shifts in taste that changed American life in the Jazz Age, Jacob documents the fims and film genres that were considered old-fashioned, as well as those considered more innovative, and looks closely at the work of Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, Monta Bell, and others.

This cutting-edge book brings together experts in the field to provide a multidimensional perspective on sentiment analysis, covering both foundational and advanced methodologies. Readers will gain insights into the latest natural language processing and machine learning techniques that power sentiment analysis, enabling the extraction of nuanced emotions from text. Key Features: •State-of-the-Art Techniques: Explore the most recent advancements in sentiment analysis, from deep learning approaches to sentiment lexicons and beyond. •Real-World Applications: Dive into a wide range of applications, including social media monitoring, customer feedback analysis, and sentiment-driven decision-making. •Cross-Disciplinary Insights: Understand how sentiment analysis influences and is influenced by fields such as marketing, psychology, and finance. •Ethical and Privacy Considerations: Delve into the ethical challenges and privacy concerns inherent to sentiment analysis, with discussions on responsible AI usage. •Future Directions: Get a glimpse into the future of sentiment analysis, with discussions on emerging trends and unresolved challenges. This book is an essential resource for researchers, practitioners, and students in fields like natural language processing, machine learning, and data science. Whether you’re interested in understanding customer sentiment, monitoring social media trends, or advancing the state of the art, this book will equip you with the knowledge and tools you need to navigate the complex landscape of sentiment analysis.

In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war poetry, and from writings on culture and aesthetics to graphic satires and early photographs. Whilst classical portraiture and history painting certainly conspired with official ideologies to deflect attention from the true costs of war, other works of art, literary as well as visual, proffered representations that countered the view that suffering on and off the battlefield is noble or heroic. Shaw uncovers a history of changing attitudes towards suffering, from mid-eighteenth century ambivalence to late eighteenth- and early nineteenth-century concepts of moral sentiment. Thus, Shaw's story is one of how images of death and wounding facilitated and queried these shifts in the perception of war, qualifying as well as consolidating ideas of individual and national unanimity. Informed by readings of the letters and journals of serving soldiers, surgeons' notebooks and sketches, and the writings of peace and war agitators, Shaw's study shows how an attention to the depiction of suffering and the development of 'liberal' sentiment enables a reconfiguring of historical and theoretical notions of the body as a site of pain and as a locus of violent national imaginings.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. Drawing inspiration from both the social analysis of the Scottish Enlightenment and the sentimental aesthetics of the contemporary novel, historical writing began to explore the areas of social experience and private life for which there was no place in classical historiography. The consequence, Phillips argues, was a significant reframing of historical thought that expressed itself through new themes, including the histories of commerce, manners, literature, and women, and through some lively experiments in narrative form. This book offers a rich picture of historiography that will interest students of history and fiction alike.

Contains Spengler's well-known work on the history of and the rise and fall of various civilizations.