THE OLD GODS ARE DYING. Giant corporations collapse overnight. Newspapers are being swallowed. Stock prices plummet with a tweet. NEW IDOLS ARE RISING IN THEIR PLACE. More crime now happens online than offline. Facebook has grown bigger than any state, bots battle elections, coders write policy, and algorithms shape our lives in more ways than we can imagine. The Death of the Gods is an exploration of power in the digital age, and a journey in search of the new centres of control. From a cyber-crime raid in British suburbia to the engine rooms of Silicon Valley, pioneering technology researcher Carl Miller traces how power is being transformed, fought over, lost and won.

Exploring the theme of the 'two truths', those of Christianity and the Paganism, and developing Merezhkovsky's own religious theory of the Third Testament, it became the first in "The Christ and Antichrist" trilogy. The novel made Merezhkovsky a well-known author both in Russia and Western Europe although the initial response to it at home was lukewarm. The novel tells the story of Roman Emperor Julian who during his reign (331-363) was trying to restore the cult of Olympian gods in Rome, resisting the upcoming Christianity. Christianity "in its highest manifestations is presented in the novel as a cult of an absolute virtue, unattainable on Earth which is in denial of all things Earthly," according to scholar Z.G.Mints. Ascetic to the point of being inhuman, early Christians reject reality as such. As the mother of a Christian youth Juventine curses "those servants of the Crucified" who "tear children off their mothers," hate life itself and destroy "things that are great and saintly," the elder Didim replies: a worthy follower of Christ is to learn to "hate their mother and father, wife, children, brothers and sisters, and their very own life too.

The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.

Around the World, Behind Closed Doors, Operates an,Ultra Secret Business of Sex and Death. One Man,Hunts the Truth About Snuff Films,.

Originally published by Penguin Ltd., this revised edition features unusual Egyptian artwork, striking pictures of eclipse phenomena, numerous sky-charts, and computer printouts.

Offers new observations on the persistence of God in modern times, and considers how the war on terror and a post-9/11 society has impacted atheism.

With no memory of his past, a lone hero must fight two battles—one to understand his identity and one to defeat the demon that now plagues Faerûn Demascus wakes up on the cold stone slab of an ancient altar. He doesn’t know who he is. He doesn’t know where he’s from. He doesn’t even know his own name until a stranger tells it to him. But someone—or something—wants to kill him. This he knows with the certainty of the grave. At the same time, a demon from a dead universe—a gift from the Chained God—is freed from its fossilized prison. Its essence takes root in the nightmare reality of the living, sparking a transformation once thought halted by forgotten heroes. Dodging knives, uncovering clues left by his past life, and dueling demons, Demascus must figure out who he is, who his enemies are, and what battles he is fighting. Along the way, he will discover that he is the last of the forgotten heroes—the only thing that stands between the light of the world and the phantasmagorical torments of the Abyss.