Greenwich, Connecticut, 1922. Newspaper man Joe Henry finds himself the primary suspect when his friend, fellow reporter Wynton Gresham, is murdered. Both were veterans of French battles during WWI—the war that was supposed to end all wars. Unanswered questions pile up in the wake of a violent night: Gresham lies dead in his home, a manuscript he had just completed has gone missing, three Frenchmen lay dead in a car accident less than a mile from Gresham's home, and a trunk full of Gresham's clothes lay neatly packed in his bedroom. Hours after his friend's death, Henry discovers in Gresham's desk drawer a one-way ticket reserved in his friend's name aboard a steamer ship to France. The ticket is dated for the next day. Henry steals away under Gresham's identity, escaping the heated interrogation of the town sheriff, to Paris in the roaring 20s. In the City of Light he becomes a hunted man. To clear his name he must find the man responsible for his friend's murder, while evading his own, and discover the deadly secret revealed in the lost manuscript. In the process, with the help of other broken veteran expats of Hemingway's Lost Generation living in Paris, he finds hope in a world irrevocably altered by war. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

The author describes the culture of mass death in the 20th century, from the battlefields of both World Wars to local disasters and organized famines, during which some 110 million have died.

The “enormously entertaining” (The Wall Street Journal) account of a shocking 1897 murder mystery that “artfully re-create[s] the era, the crime, and the newspaper wars it touched off” (The New York Times) AN EDGAR NOMINEE FOR BEST FACT CRIME • “Fascinating . . . won’t disappoint readers in search of a book like Erik Larson’s The Devil in the White City.”—The Washington Post On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. The police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era’s most perplexing murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus, as their rival newspapers the World and the Journal raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial. The Murder of the Century is a rollicking tale—a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that forever changed newspaper journalism.

Focusing on tradition, technology, and authority, this volume challenges classical understandings that mortuary rites are inherently conservative. The contributors examine innovative and enduring ideas and practices of death, which reflect and constitute changing patterns of social relationships, memorialisation, and the afterlife. This cross-cultural study examines the lived experiences of men and women from societies across the globe with diverse religious heritages and secular value systems. The book demonstrates that mortuary practices are not fixed forms, but rather dynamic processes negotiated by the dying, the bereaved, funeral experts, and public institutions. In addition to offering a new theoretical perspective on the anthropology of death, this work provides a rich resource for readers interested in human responses to mortality: the one certainty of human existence.

Offers a detailed account of the shocking 1954 murder committed by two teenage girls in New Zealand, which led to headlines around the world and inspired the Academy Award-nominated film Heavenly Creatures.

This book features the second selection of the most representative papers presented at the international conference “Dying and Death in 18th–21st Century Europe” (ABDD), a traditional scientific event organized every year in Alba Iulia, Romania. The book invites the reader on a fascinating journey across the last three centuries of Europe, using the concept of death as a guide. The past and present realities of the complex phenomena of death and dying in Romania, the United Kingdom, Lithuania, Serbia, Macedonia, Poland, USA, Germany, Sweden, Finland, and Italy are dealt with by authors from varying backgrounds, including historians, sociologists, psychologists, priests, humanists, anthropologists, and doctors. This is proof that death as a topic cannot be confined to one science; the deciphering of its meanings and of the shifts it effects requires a joint, interdisciplinary effort.

A look at the constant confrontation with mortality the English experienced in a time of plague, smallpox, civil war, and other calamities. In the lives of the rich and poor alike in seventeenth-century England, death was a hovering presence, much more visible in everyday existence than it is today. It is a highly important and surprisingly captivating part of the epic story of England during the turbulent years of the 1600s. This book guides readers through the subject using a chronological approach, as would have been experienced by those living in the country at the time, beginning with the myriad causes of death, including rampant disease, war, and capital punishment, and finishing with an exploration of posthumous commemoration, including mass interments in times of disease, the burial of suicides, and the unconventional laying to rest of English Catholics. Although the people of the seventeenth century did not fully realize it, when it came to the confrontation of mortality they were living in wildly changing times.