Isabel, born into the British Raj, and Asha, a young Hindu girl, both consider India their home. Through mischance and accident their stories intersect and circumstances will bring them from the bustling city of Delhi to the shores of the Andaman Islands, from glittering colonial parties to the squalor and desperation of a notorious prison; and into the lives of men on opposing sides of the fight for self-government.As the shadow of the Second World War falls across India, Isabel, caught up in growing political violence, has to make impossible choices - fighting for her love for India, for the man she yearns for, and for her childhood Indian friend, in the face of loyalty to her own country.

In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.

This book takes us along on a search for the feminine face of God. We travel with Linda Johnsen for a fascinating investigation of the great women saints of India who manifest the divine in their lives. Together with her we comb the scriptures, meet the holy ones, and are led, step by step, to sit in awe at the feet of six remarkable, contemporary women.

Joanna Liddle and Rama Joshi explore the connection in India between gender and caste, and gender and class. They ask whether the subordination of women has diminished as India moves from a caste to a class structure, and what effect colonization had on the status of women in India. Focusing on educated, professional women, the authors look at the particular experiences of 120 women they interviewed, and also interpret the larger patterns of social relations that emerge from the interviews. These sensitive stories are told with an eloquence that is often moving and inspiring. For thousands of years Indian women have had a cultural tradition of resisting male domination. At the same time, the control of female sexuality has always been central to social hierarchies in India. Women are constrained in both class and caste hierarchies, to help distinguish the men at the top of the hierarchy from men at the bottom, where women are less constrained. In class society the seclusion of women allowed men to have sexual control over women and to retain the property that was transferred in marriage. In contemporary India, professional women have had success entering the professions as the social groups to which they belong move increasingly to class rather than caste structures. But men continue to control the type of education they receive and the type of employment open to them, and to participate in the sexual harassment of women in the workplace. The concept that women are inferior to men--a concept that is not part of the Indian cultural heritage--is growing. In a sense, working professional women strengthen male control. The class structure is no more egalitarian than the caste structure, as oppression simply takes other forms.

"A formidable achievement. . . . Mitter spans almost the entire spectrum of the 'woman's question' providing both information and insight into the complex patterns that determine the image, self-image, and status of women in contemporary India." -- Manini Chatterjee, The Hindu (India). -- Book cover.