When victims are found in dancing poses, Detective Jo Fournier immediately sees the pattern, but how can a serial killer get to victims all over the country? When loving wife Jeanine Hammond is found dead in a small leafy town in Massachusetts, newly promoted Detective Jo Fournier is shocked to her core. Why leave her body posed like a ballerina? Why steal her wedding band and nothing else? Hungry for answers, Jo questions Jeanine's husband, but the heart-breaking pain written on his face threatens to tear open Jo's old wounds. It's the same pain she felt when her boyfriend was cruelly shot dead by a gang in their hometown of New Orleans. She couldn't get justice for him, but she's determined to get justice for Jeanine's devastated family. But before Jo can get answers, another woman is found, wedding ring stolen, body posed in the same ritualistic way. Digging through old files, Jo makes a terrifying link to a series of cold cases. She knows a serial killer is on the loose, but nobody will listen to the truth--not her bosses, nor the FBI. Still, Jo won't let her superiors keep her from stopping the murderer in his tracks, even if it means the end of her career. Just as she is beginning to lose hope, she finds messages on the victims' computers that feel like the crucial missing link. But she knows the murderer is moments away from selecting his next victim. Will she be able to take down the most twisted killer of her career before another innocent life is lost?

'Loved it, loved it, loved it!!... If I could give it 6 stars I would! In this current climate of 'twists you will never see coming' - believe me... you will never see this coming!... Cannot wait for the next book!... Best book I have read for some time.' NetGalley Reviewer, 5 stars The light in her wide brown eyes dimmed as she drew her last breath. She might have been beautiful lying there on the floor, if it wasn't for the purple marks on her neck and the angry red line on her finger where her wedding band used to be... When Jeanine Hammond is found dead in a hotel in the picture-perfect town of Oakhust, newly-promoted Detective Jo Fournier is thrown into a disturbing case. Who would murder this shy, loving wife and leave her body posed like a ballerina? Jo wants to know why Jeanine's husband is so controlling about money, and where Jeanine's wedding ring is, but before she and her team can get close to the truth, another woman is found strangled in a hotel, arms placed gracefully above her head like a dancer. While digging through old case files, Jo makes a terrifying link to a series of cold cases: each victim bears the same strangulation marks. But the FBI won't take Jo seriously, and if she disobeys direct orders by investigating the killings outside of her jurisdiction, it will mean the end of the career she's already sacrificed so much for, even her relationship. Just as Jo is beginning to lose hope, she finds messages on the victims' computers that make her question whether these small-town women were hiding big lies. Jo thinks this is the missing link, but she knows the murderer is moments away from selecting his next victim. Will it lead her to the most twisted killer of her career in time, or will another innocent life be lost? An absolutely unputdownable and brilliant new crime thriller series that fans of Robert Dugoni, Lisa Regan and Melinda Leigh will devour in one sitting. Read what everyone is saying about The Dancing Girls: 'Wow, Wow, Wow... the most exciting new author I have read for a long time... Extremely addictive and left me wanting more. This book has everything... and a huge unexpected twist you will not see coming. I can't emphasise enough how much enjoyment I got from reading this... suffice to say I'll be queuing up for the next... Well-deserved 5 stars - Wow.' Goodreads Reviewer, 5 stars 'That ending! Holy moly I did not see that coming. A twist to end all twists! It was fantastic... Really look forward to more books in this series. If they are anything like this one, they are all going to be winners!' Once Upon A Time Book Reviews, 5 stars 'Going to be a fantastic series... Will keep you up for most of the night as you just won't want to put it down... THEN BAM... a twist at the end that will blow you away, I certainly didn't see it coming... loved it... You'll want to add this one to your list! Will be looking forward to #2.' Goodreads Reviewer, 5 stars

A splendid collection of short stories from the author of the New York Times bestselling novel The Handmaid’s Tale—the inspiration behind the award-winning Hulu original series. Margaret Atwood brings her singular voice to this unforgettable volume of short stories filled with rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror, laughter, compassion and recognition—and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.

An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal culture. The modern day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are, unclean, and Maha’s daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of one Lahori courtesan. Beautifully understated, it turns a novelist’s eye on a true story that beggars the imagination. Maha, at fourteen a classically trained dancer of exquisite grace, had her virginity sold to the Sultan of Dubai; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the Sultan come calling once more.

Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.

Apparently, this freaky phenomenon of stepping into someone else’s life—and their body!—has a name: Temp Lifer. Thanks to my dead grandmother, it’s happened again. So now I’m hungover and gazing in the mirror at ... my boyfriend’s sister. Grammy, help!

Written in 1790, Hasan Shah's autobiographical romance, The Dancing Girl, is remarkable for both its lyrical prose and its fine recreation of a time, a place, and a culture - India in the 1780s, a tolerant, affable era before the full establishment of British colonial rule. The Dancing Girl tells of the doomed love of Hasan Shah (aide-de-camp to a British officer) and Khanum Jan (a courageous and gifted dancer of the courtesan caste) whose secret marriage could not prevent their separation. At Khanum Jan's death, her grief-stricken husband turned his raw emotion into a surprisingly modern, first-person narrative "without realizing", as leading Urdu novelist Qurratulain Hyder observes in the foreword to her translation (from the 1893 Urdu translation of the original Persian), "that he had become a pioneer of the modern Indian novel".